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Posts Tagged ‘film’

It’s been a while since I’ve updated this blog. For those who chose to live inside their self imposed exile inside their caves, a lot has happened. Especially in New York City. There was the New York Comic Con back in early October. Then right before Halloween, there was that bitch called Sandy. As in Hurricane Sandy. If that wasn’t enough, the US had to deal with its presidential elections. Yup. All that good stuff. Hopefully I’ll get to address each event of my blog, one by one. We’ll see.

In the meantime, I’m going to reminiscence a few months back to April 2012. Back when I won my scholarship to study in Austria for a week. When I traveled to the lovely town of Salzburg, I took my manual film camera. Now although digital is much easier to work with, there’s a certain beauty you can only get with film.

Here’s a few examples.

On the grounds of Schloss Leopoldskron in Salzburg, Austria.
Taken by Michele Witchipoo, April 2012.
Manual black and white film.

 

During the stay at Schloss Leopoldskron for the Salzburg Global Seminar, the students took a day trip to Munich, Germany. A visit to the Dachau concentration camp.
Photo by Michele Witchipoo. April 2012.
Manual black and white film.

 

Another photo from the Dachau concentration camp.
April 2012. Manual black and white Kodak film.
Photo by Michele Witchipoo.

Last day in Salzburg. The students were given a free day to explore the town. Salzburg is known for a few things. The architecture, for example. It ranges from Romanesque, Gothic, Renaissance, Baroque, Classical modernism and post-war modernism, as well as Contemporary. Mostly it’s where the story of “The Sound of Music” is based. Also the birthplace of  Wolfgang Amadeus Mozart.
Here’s a shot of people just walking through the square.
April 2012. Manual black and white Kodak film.
Photo by Michele Witchipoo.

 

 

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My parents were very much into the “golden age” of movie stars. While I was growing up, my father would buy books on all the classic film stars. In fact, there was only two subjects that my father would read up on, other than the local newspaper: classic movie stars and World War II.

One of those classic movie stars that stuck in my head was Elizabeth Taylor. She was different from the others. Elizabeth was not your typical blond starlet. Instead, she had dark hair, violent eyes as a result of a rare mutation, and a genuine woman’s body. Her slightly voluptuous figure was the real deal, not like today’s impossible standards of beauty, such as plastic surgery and botox. The thing was, she could act. Elizabeth Taylor genuinely had talent. Adding all of those elements together, she was born for cinema. As Lady Gaga would put it, she was “Born This Way.”

Beauty however, is nothing without a bit of mystery and intrigue. The Red Hot Chilli Peppers once sang “every woman has a piece of Aphrodite…” If that’s the case, than Elizabeth had more than her fair share. Seven, count seven times she was married. Twice to Welsh thespian Richard Burton. She claimed that third husband Mike Todd was her one true love. However, Taylor and Burton had that romantic intensity that some people only dream of. Burton was eloquent, but still a rugged man’s man. Taylor was a celluloid goddess. In today’s terms Taylor and Burton would be considered a Hollywood power couple. Unlike this generation’s known power couples, they weren’t that much focused on making blockbuster films. As a matter of fact, many of the films they had starred together tanked. No, with Taylor and Burton, it was all about the love. Having all that chemistry between them, no wonder the paparazzi was on their tail.

Elizabeth Taylor & Richard Burton.

Alas, love doesn’t always last. The Taylor and Burton pairing was far from perfect. Quite contrary, it was extremely turbulent. Burton was talented, but tortured. He was a womanizer, an alcoholic, and insomniac. His mother had died when he was barely two years old and raised by his older sister, as his own father hardly around. I’m quite sure Elizabeth Taylor wasn’t exactly an angel, with her extravagant spending. Whatever the case, the marriage dissolved. To this day, the Taylor-Burton mythos still invokes a bit of mystery. The stuff Hollywood legends are made of.

Back to Elizabeth Taylor. She wasn’t always so lucky. Her health, weight and pill addictions gave her a beating, but she survived each and every time. Her marriages may have not survived, but she knew the meaning of friendship. Later on with my generation, she became known as an AIDS activist and overall humanitarian. Her involvement with these causes was partial the result of Rock Hudson’s death.

Oh yeah, and her perfumes. Back in the 1980s, she had marketed a few scents, such as Passion, etc. They weren’t exactly the greatest. Okay, they were more or less drug store colognes (yeck) capitalizing on her name. I remember the television commercials though. Even then she still excluded an air of glamour. Even if ‘White Diamonds’ didn’t (yeck).

When I found out Elizabeth Taylor had passed away, the first thing I did was call my mother. After all, my parents were the ones who had introduced me to the lore of the double-lashed violet-eyed wonder. My mother was taken aback slightly, then regained her composure. Softly she remarked that “they’re all going now.” She meant known personalities from past eras. That’s wasn’t the point. You see, Elizabeth Taylor was a woman that came along once in a lifetime. Actors, movie stars, celebrities, they all come and go. Dame Taylor though, was one of a kind. There will never be another Elizabeth Taylor. You can call her many things, but just don’t call her Liz. I read somewhere that she hated that nickname.

Elizabeth Taylor. By Michele Witchipoo. Watercolor, ink, and gouache. Sun. March 27th, 2011.

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Originally created this when I was putting together Babalon Babes issue 4. Otherwise known as the Astrology issue, I drew this around mid-late 2009.

After watching news footage of Japan, I remembered this piece. So I’ve posted this up in honor of that country.

Gemini. Draw by Michele Witchipoo, late 2009. Originally self-published in Babalon Babes issue 4 (Astrology Issue)

It’s a mixture of the Thoth (Crowley/Lady Frieda) tarot deck, and the old Godzilla movies. Today some of you kids call it a “mash-up.”

Since the Lovers represents Gemini, I took elements from that card. In the background you can see Godzilla and Mothra. As in “Mothra Vs. Godzilla.

Now some people are probably wondering – “What the hell does Godzilla and Mothra have to do with Gemini?”

I’ll explain. Do you see the twin girls in the front of the illustration? They were known as The Shobijin. The Shobijin could be described as deities, priestesses or faeries who would call to Mothra with either song or prayer. The twin imagery also corresponds to the Gemini sign. The twins is the symbol for Gemini, and it’s element is air. The twins shown here communicate to Mothra with words and song. Air signs deal with communication.

As for Mothra and Godzilla…sometimes they are allies, sometimes they are in conflict with each other. A contradiction of sorts, which can describe Geminis a bit.

In March 2011, I recalled doing this piece. Seeing Japan with the tsunami effects and the nuclear crisis, figured I would post this. It’s not only my tribute to the Japanese monster movie genre, but to Japan as a whole.

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One of my favorite films is the 1972 French drama “Last Tango In Paris.” First saw it during the early 90s on VHS. I currently own the DVD.

The plot grabbed my interest. Marlo Brando technically had the starring role of this movie. Truth be told, I never did care for Brando. Personally I believe the real “star” was a young actress known as Maria Schneider. To quote film critic Roger Ebert: “Maria Schneider doesn’t seem to act her role so much as to exude it.”

Basically it comes to this: Marlo Brando more or less portrayed himself, while Schneider mixed innocence with raw sexuality.

This controversial flick more or less internationally defined Maria Schneider as an actress. Brando continued being what he did best, which was being Brando. Meanwhile, Schneider acted in a few more flicks before real-life drama eclipsed her for the rest of the 1970s. The 80s decade treated her a bit better, as she made a comeback in her native country. In later interviews, she would claim that “Last Tango In Paris” nearly ruined her life.

Maria Schneider died on Feb. 3rd, 2011. Director of “Tango,” Bernardo Bertolucci said this*: “Her death has come too early, before I could give her a tender embrace and tell her that I was as tied to her as I was at the start and apologize to her at least once. The strong and creative relationship that we had during the filming of ‘Last Tango’ became poisoned with the passing of time. Maria accused me of having robbed her of her youth and only today am I wondering whether there wasn’t some truth to that.”

After hearing of her passing, I did this portrait of her. Done in pen & ink, on illustration board. Quill pen, nib either 102 or 104.

Maria Schneider & Joe Dallesandro in Jacques Rivette's film "Merry Go Round." Photo: Photo: Des Filles des Garçons

*Full Roger Ebert quote can be found here:
http://www.guardian.co.uk/film/2011/feb/03/maria-schneider-obituary?INTCMP=SRCH

*Full Bernardo Bertolucci quote can be found here:
http://www.france24.com/en/20110203-bertolucci-wanted-say-sorry-last-tango-paris

*Interview with film critic Roger Ebert from 1974:
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19750914/PEOPLE/509140301

*
http://www.altfg.com/blog/movie/maria-schneider-memoirs-of-a-french-whore-a-woman-like-eve/

 

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Usually I do not sell my originals. Prior to this show in L.A., I held on to all my originals. The only exception was with Tales of Woe, because three of the six illustrations I had done for the book were large in size. I’ll do commissions, but as for for illustration originals, those I keep.

For the Necessary Discomforts show in Los Angeles, there will be a one of a kind piece I’ve created just for this exhibit. Starting tomorrow you can see my illustration on display, along with other great artists over at the Hyena Gallery. Oh, and it’s also for sale. So if you’re looking for “rare” Witchipoo art, this would be the perfect opportunity. Since I can’t be there in person (school), this would be the next best thing. Actually, even better.

"Rozz." Done October 2010. Mediums: pen, ink, ink wash and watercolor. Edges were hand-burned to give it a little bit of that old school Death Rock/Goth touch. Framed. For sale at the Necessary Discomforts (An Artistic Tribute To Rozz Williams), taking place at the Hyena Gallery in Los Angeles, California. Artist: Michele Witchipoo.

The Necessary Discomforts exhibit will be on display from November 12 – November 14 2010. Opening reception: Saturday, November 13th, 2010. Time: 8pm-midnight. Address: 1928 W. Olive Blvd., Burbank, California. There will be an official after-show party at Bar Sinister.

Revised/Updated Flyer For Unnecessary Discomforts (Artistic Tribute To Rozz Williams) Event


http://www.rozznet.com/


http://en.wikipedia.org/wiki/Rozz_Williams


http://en.wikipedia.org/wiki/Christian_Death


http://www.hyaenagallery.com/


http://www.lorinrichards.com/aravenabovepress.html


http://pinealeye.com/2010/11/01/rozz-williams-tribute-exhibition-at-hyaena-gallery/

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Went to the New Museum yesterday, to check out the Brion Gysin retrospective. For those who don’t know, Brion Gysin (1916 – 1986) was a multifaceted subversive. To define this person, imagine looking up the phase “Nothing is true, everything is permitted”; next to that phase is a photography of Brion Gysin. As an artist, he tried his hand at everything, from painting, collages, poetry, film, and musical collaborations. Gysin is best known by his collaborations with writer William Burroughs and the ‘cut-up’ method.

Personally speaking…although William Burroughs is more known, I’m more fascinated with Brion Gysin.

Since this weekend was the last of the Brion Gysin exhibit over at The New Museum, I made a mini-pilgrimage. The entire second floor was dedicated to Gysin. Prints, paintings, typed correspondence between Burroughs and Gysin. You could see various sigils and glyphs within Gyson’s work, as the artist experimented with Asemic writing. There was also book layouts, photographs, and collages. In separate rooms was two short films, a slide show, and actual dream machine. The dream machine section was dark, except for small black floor pillows for the viewer to sit on.

So I stuck in some video and tried to tape in dream machine in 23 seconds. Couldn’t click off the iPhone in time so it ends at 25.


http://www.briongysin.ca/

“Brion Gysin: Dream Machine” at The New Museum ends its run tomorrow, Oct. 3rd, 2010.

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The year 1985 started out like any other year during that decade. Ronald Reagan was sworn in for a second US Presidential term. Along the way Reagan made a book deal for $3 million. Video gamers took their playing to the next level with the Nintendo Entertainment System. The newspaper cartoon Calvin and Hobbes debuted in 1985. On August 31 in Los Angeles, serial killer Richard Ramirez was captured. Microsoft released Windows 1.0. Entertainment wise, LiveAid and Back To The Future was the talk of the town.

During this year, Dario Argento produced and co-wrote the film Demoni. Also internationally known under the title Demons, the film was actually directed by Argento protege Lamberto Bava.

The film trailer for the week, Demoni:

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The year 1984 was anticipated but not as close as it was described in the Orwell novel. (Actually, in the year 2010 we’re more aligned with what Orwell foretold than in 1984 itself) Yet 84 was still an interesting year. The AIDS virus was identified by French Immunologist. The first Apple Macintosh goes on sale, currently known as iMac. The AT&T monopoly gets broken up.

The most popular films from 1984 ranged from Ghostbusters, Indiana Jones and the Temple of Doom, The Terminator, Amadeus, Police Academy, and the original version of The Karate Kid. It was the first year of the MTV video music awards, and BandAid tried to help starving children in Africa with a holiday song. Speaking of music, some of the most popular musical acts of its day were Duran Duran, Wham!, and David Bowie, who sang about 1984.

1984 was also the year the independent film Suburbia was released. Directed by Penelope Spheeris, it used real Californian street kids and squatter punks instead of professional actors. There was a few exceptions. Out of the few professionals actors used, it should be noted that Flea from The Red Hot Chili Peppers was among the cast.

This is not really a ‘grindhouse’ film per say. I first viewed this film on VHS back in the eighties. In my opinion found it depressing, but still appreciate the film for its non-exploitative realism. Penelope Spheeris later went on to direct ‘Wanye’s World.’ Without further due, here’s the movie trailer of the week for March 15th, 2010:

BTW, Suburbia is being released on DVD May 2010.

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Not exactly a ‘grindhouse’ flick but it could be considered a ‘lost classic’ just the same. The leap year of 1980, a new decade, and it was already off and running. We had the debut of Pacman who chomped his way into gamers’ hearts. Israel and Egypt tried to establish diplomatic relations. John Lennon was assassinated. There was the cinematic release of The Empire Strikes Back. Empire was the top grossing film of that year, but the Punk ethic was starting to steep into film’s consciousness.

This flick, titled “Times Square” not only captured a bit of the early New Wave allure, but it also had shots of the actual NYC area before pre-’disneyfication.’ One of the film’s highlights is a concert by The Sleez Sisters on top of a 42nd Street theater. The soundtrack consisted of songs from The Ramones, Gary Numan, Patti Smith, and others. Ironically, this film was either a commercial nor a critical success during its initial release. As in the case of all “cult” films, the Times Square movie defiantly lives on. The DVD of this underrated piece is now out of print, so grab if you ever have the chance. The stars of this production were Tim Curry (Rocky Horror Picture Show), Trini Alvarado and Robin Johnson.


http://en.wikipedia.org/wiki/Times_Square_%28film%29

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Uncle Rico from Napoleon Dynamite wishes he could relive the year of 1982.

It wasn’t bad year in pop culture history, I suppose. Except for when The Equal Rights Amendment didn’t make enough votes to pass in congress. That kinda sucked as Phyllis Schlafly and the good old Christian right reveled its its defeat. Former Saturday Night Live alumni and converted punk rocker John Belushi (Belushi was a huge fan of the L.A. punk band Fear) dies from a drug overdose. So there was consolation in Atari 2600 video games and the creation of the CD player. Across the Atlantic, Princess Diana gave birth to her first son William. Meanwhile onward British soldiers as they fought in the Falklands War.

One of the top grossing films of that year was E.T. the Extra-Terrestrial. However, when everyone else was oohing and ahhing over that butt-ugly alien, there was a few horror fans across the sleazier side of town. They were asking what was in the basket.

Basket Case is a 1982 horror classic totally worth checking out. It’s definitely a proud addition to my own personal DVD collection. The director, Frank Henenlotter went on to produce another horror classic in 1990 titled Frankenhooker.

Without no further hesitation, here’s the trailer to the original Basket Case:

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