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Inside the Brooklyn Musuem for the Bowie Is exhibit. Photo taken by Natasha Michalina, July 2018.

On Sunday, July 15th 2018, the Bowie Is exhibit wrapped up it’s five year tour at the Brooklyn Museum. Since the V&A traveling exhibit began in 2013, it has visited four continents, twelve museums, and attracted 1.8 million viewers. It was Bowie’s personal request that the touring exhibit end in New York City, where he spent the last twenty years of his life.

I was lucky to have caught this exhibit during its last week at the Brooklyn Museum. Advanced tickets were completely sold out. The alternative was to wake up at the crack of dawn, just to get in line before the doors open. Right before 11 am, the line was starting to feel like general admission to a concert rather than an exhibit.

Luck was on my side last Wednesday. I was able to get in for the 12 afternoon showing.

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My ticket for the special Bowie Is exhibit inside the Brooklyn Museum. July 2018.

First of all, the exhibit itself is far from any form of hero worship. It showed almost every era of Bowie’s career. While the initial attraction was seeing his stage outfits up close, it was the breakdown of his creative process that stood out. Handwritten lyrics, rough sketches of stage design, storyboards, scripts, all documents showing behind the scenes.

One example was the “cut-up technique“, originally created by Tristan Tzara, and brought into the public consciousness by Brion Gysin. Bowie, being a William S. Burroughs fan, used the cut-up method on and off in various stages of his recording career. In 1995, Bowie took this a step further when creating lyrics for his Outsider album. He used a custom program called the Verbasizer on his Mac computer, shown during the Bowie Is exhibit.

That’s only one clue what the exhibit had to offer. Entering the exhibit, it was a bit overwhelming at first. There’s a helluva lot to take in. In all, the entire exhibit took three hours to complete.

Apparently Bowie was a huge literature fan. He took a trunk of his favorite books on tour with him, since he was an avid reader. Bowie was huge into German Expressionism at one point, which showed up in his own paintings, also on display. Bowie was more of a polymath than the public realized. At one point Bowie tried creating his own tarot deck. It was for his own private use, inserted into film slide frames. The personal project was never completed, only going as far as most of the major arcana. Unless if that was what Bowie had intended.

 Bowie was also an actor, art collector, collaborator, world traveler, well, perhaps just an overall innovator. But we all knew that last part.

After spending three hours in the Bowie Is exhibit, I was literally too exhausted to check out the rest of the Brooklyn Museum. A few days later, I drew something from Bowie’s Thin White Duke era. (A few years back, I had already did something from his Ziggy/Aladdin Sane era)

So which leads us to…yes, you guessed it. The Psycho Bunny sketch of the week. Psycho Bunny as The Thin White Duke.

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David Bowie during his Thin White Duke era, mid-70s.

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Psycho Bunny as David Bowie during his Thin White Duke era. Based on the comic written and drawn by Michele Witchipoo, on WitchesBrewPress. July 2018.

Here we go. The usual promotional hints:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress. Just put new widgets for both FB pages on this blog.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

One of my hobbies is documenting what goes riding the NYC subway lines: My WildlifeOnTheMTA Instagram is active once again.

Come back next week for a new Psycho Bunny sketch.

Additional Links: 

https://www.npr.org/sections/therecord/2018/03/17/594326984/what-you-could-take-away-from-david-bowie-is

https://www.rollingstone.com/music/music-features/david-bowies-secret-life-inside-the-stunning-david-bowie-is-exhibit-in-brooklyn-202335/

 

 

Special thanks to Natasha Michalina, who let me use her photos. Cellphone pics weren’t allowed, but she was brave enough to sneak a few. 

 

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Two weeks ago, I landed two free tickets to see Robert Plant in concert. The venue was nearby where I live in Queens, NY., at Forest Hills Stadium. My musical tastes usually runs towards more other genres, such as Post Punk, Punk, New Wave, Goth, Industrial, Experimental, etc. However, my very first exposure to music was when classic rock ruled the airwaves. Way back when, it was WPLJ and WNEW, both on FM radio that had exposed me to Rock music. So it was only natural that I progressed from ’70s Disco to listening to bands like, Queen or Led Zeppelin. The very first ‘Rock’ song I was exposed to was Cheap Trick’s “I Want You To Want Me.” So in a sense, these bands were a part of my transition from childhood to adolescence. That wasn’t to last long since the U.S. was just entering the 1980s. It’s very obvious I am a product of the ’80s. Soon I became a fan of groups like The B-52s, Devo, Duran Duran, Culture Club, then later The Smiths, The Cure, Siouxsie and The Banshees, etc. As the ’80s evolved, radio formats changed as well. Just as well.

So that day I’m walking through the land of Peter Parker. Saw this Ramones mural underneath the Long Island Railroad.

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Street mural of The Ramones in Forest Hills, Queens, NYC. Photo by Michele Witchipoo.

Met up with my friend, entering the venue. Fell in love immediately with Forest Hills stadium. For free tickets, our seats weren’t that bad. We sat through opening act Sheryl Crow. My friend was more into Sheryl Crow than me. Never cared for her music, but she was good live.

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Sheryl Crow opening for Robert Plant at Forest Hills Stadium, June 13th, 2018. Crappy photo by Michele Witchipoo.

As the sun began to transition into night, Robert Plant took the stage.  What threw me for a surprise was he actually did not just one, but four Led Zeppelin songs. I was only expecting maybe one, perhaps something acoustic. This review on Brooklyn Vegan was pretty spot on.

Since that show I’ve been a minor Led Zeppelin kick. Which got me Googling links regarding Led Zeppelin and their association with the occult. It’s known that Jimmy Page brought Boleskine House, a former residence of Aleister CrowleyPage was so immersed with Crowley and Thelema, the first printing of Led Zeppelin ‘Led Zeppelin III’ has ‘do what thou wilt’ stamped on the vinyl. Robert Plant himself always had a fascination with Celtic folklore. The most famous Led Zeppelin song ‘Stairway To Heaven’ was slightly by occult researcher Lewis Spence.

Then there’s the urban legend that three out of the four Led Zeppelin members made a pact with the devil. Which started to bring bad luck upon the band. That’s just a rumor.

Yet curiously Led Zeppelin bass player John Paul Jones did a collaboration with Avant-garde opera singer Diamanda Galas. It was released in 1994.

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Which finally leads us to the Psycho Bunny sketch of the week.

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Psycho Bunny does Robert Plant and Jimmy Page from Led Zeppelin. Based on the comic written and drawn by Michele Witchipoo on WitchesBrewPress. June 2018.

Now for the social media quips.

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items. Just in time for Pride.

One of my hobbies is documenting what goes riding the NYC subway lines: Wildlife On The MTA. Cause if you can’t laugh, you’ll cry. MTA passengers know what I’m talking about. Even better: My WildlifeOnTheMTA Instagram is active once again.

Come back next week for a new Psycho Bunny sketch.

 

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It’s been a while since I sent anything to Sketch Lottery. So I did Felix The Cat as Jerry Only from The Misfits.

Usually I will post a crop of my sketch, and send people to the site itself. This time I felt the scan didn’t do my sketch any justice. So I re-scanned the piece using a different dpi.

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Felix The Cat as Jerry Only from The Misfits. Drawn by Michele Witchipoo. Originally done for Sketch Lottery. June 2018. 

You can still check out Sketch Lottery, and all the other posts as well.

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Where are my manners? Last week was the birthday of Susan Janet Ballon, best known to the world as Siouxsie Sioux. She turned 61 on May 27th.

Siouxsie and The Banshees was my favorite band during my high school years. Still one of my all time choices actually. Over the years I’ve expanded my music tastes. The other day I played something haven’t listened to in aeons. It was Kiss In The Dreamhouse, their 5th studio album, originally released back in 1982.

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Hardcore fans know about her British television special titled Play At Home, featuring Robert Smith from The Cure. The special was broadcast around the same time as the Kiss In The Dreamhouse album was released.

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Original illustration of Siouxsie Sioux. Hand drawn, pen and ink. Drawn by Michele Witchipoo June 2018.

Again, haven’t drawn her in quite some time. Here’s an illustration started last week. Completed the art tonight, ripe for uploading. Haven’t decided whether to color the piece with watercolor. While I’m deciding, some filters will do nicely.

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Same Siouxsie Sioux illustration, only in red. Drawn by Michele Witchipoo. Pen and ink. June 2018.

 

 

 

 

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Last night I went to another concert. In the past few months I’ve been on a roll, going to live shows for Television, Front 242 and Gary Numan. Last minute a friend had an extra ticket to the sold out event at Brooklyn Bazaar to see Clan of Xymox. Here’s the strange part. I had a suspicion I was going to attend that concert. This was despite the fact I didn’t get advance tickets. Lo and behold, it was meant to be, and it couldn’t have come at a better time. Two years ago around this time, my mother started to decline in health. By October 2015, she had passed away. The distraction was welcome indeed.

I’ve been in and out of the Goth subculture since I was 15 years old. My discovery of Gothic was by accident. It was my original intention to explore the ’80s Punk scene, as I was checking out for example, the Hardcore matinee at CBGB’s every Sunday afternoon. There I saw bands like Corrosion Of Conformity and Government Issue. Yes, those were the days. That phase didn’t last long with me. Something about Goth lured me in. As Siouxsie and The Banshees replaced Culture Club as a favorite band, I began to get more curious about anything Deathrock related. Soon I was meeting like minded people as I was attending concerts by The Cure back in 1985. Felt more aligned with other Goth peers than the Punks. Another factor was back in those days, you had to be careful around the hardcore scene. The violence was turning me off. The original Gothic (now known as “traditional” or “old school”) aesthetic was definitely more pleasing to the eye. Propaganda Magazine was another influence. Eventually I focused all my energy towards anything Batcave.

When I was 18 or 19, eventually I got into other genres of music. Which is only natural. Yet it’s like that horribly corny line from the film The Godfather Part III. You know that line when the Michael Corleone character says : ” Just when I thought I was out… they pull me back in.” Which was my case with Goth. I’ve been dipping in and out of the local Goth scene since the late ’90s, but nothing really serious. In 2011 I was inadvertently dragged to a local Goth club party. An American expat from Germany had just came back to the U.S. He was DJing at a local event and wanted some company, which was me. That was my real introduction back towards anything Post-Punk.

So where I am going with this? Good question. Today I’m just typing with a flow of consciousness state of mind. Probably because the Clan of Xymox concert was better than I expected, so it’s still fresh. Then I realized after all these years, I never did a Psycho Bunny sketch where he was Goth. So there you have it.

Here’s the Psycho Bunny sketch of the week for Monday, March 25, 2018.

 

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The Psycho Bunny sketch of the week. Psycho Bunny goes Goth. Based on the comic written and drawn by Michele Witchipoo, printed on WitchesBrewPress. March 25, 2018. 

Now for the usual promotional plugs. I’ve been drilling these links in for sometime. So check them out. On Facebook there’s pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress. On Twitter there’s my own account, and one for Psycho Bunny. World Ov Witchipoo is my Tumblr one. On Instagram there’s WitchipooArt. Oh, and I did start up some traditional Goth blog, but haven’t really kept up with it. It’s last entry was in 2016 when Alan Vega from Suicide passed away. It’s Dark Entries blog on where else, WordPress.

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Sunday March 11th, 2018. After attending the Art On Paper fair during the last day of NY Art Week, my friend had an extra ticket for a concert. It was The Little Mermen, Galactic Empire and the headliners, Mac Sabbath, happening over at Brooklyn Bazaar.

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The concert was amazing. Here’s some photos of the two opening bands.

Then of course, here’s two badly taken photos of Mac Sabbath before my cellphone ran out of battery juice.

So now I’m a Mac Sabbath fan for life. Quite frankly, I thought Mac Sabbath was better live than Black Sabbath themselves. When I saw Black Sabbath in concert in 2001 on the Ozzfest line-up, I wasn’t impressed. Mac Sabbath on the other hand was brilliant. If Metal parodies about fast food is your thing.

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Now I have classic Sabbath songs stuck in my head. Only like the very early stuff right up until Ozzy left and Dio replaced him. In turn, this influenced the Psycho Bunny sketch of the week.

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The Psycho Bunny sketch of the week for Monday March 19 2018. Psycho Bunny does Black Sabbath. Based on the comic written and drawn by Michele Witchipoo on WitchesBrewPress. 

Now that I still have your attention, there’s a few social media links you can follow. On Facebook there’s Psycho Bunny Comix and Michele Witchipoo – WitchesBrewPress. On Twitter there’s own my account  and one for Mr. Psycho Bunny. On Instagram there’s WitchipooArt. Till next time folks.

 

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Lately been nostalgic for anything early New Wave and Post Punk. I’ve always been a firm believer in moving forward, but when it comes to my musical tastes, that’s a different story. No matter how many times I check out current music, in the end I always go back to anything between the years 1965 to 2007. Particularly anything underground from the ’80s.

A few weeks ago I was checking out episodes of the Los Angles based program New Wave Theater, which now can be seen on the streaming channel Night Flight. (Night Flight was also a late night program on the USA Network during the ’80s). So this probably was probably the basis of the latest Psycho Bunny sketch for Monday, June 26th, 2017.

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The Psycho Bunny sketch of the week for Monday June 26th, 2017. Based on the comic Psycho Bunny, written and drawn by Michele Witchipoo on WitchesBrewPress. 

Now for the usual plugs. You can check out Psycho Bunny’s shenanigans on the Facebook pages Psycho Bunny Comix and Michele Witchipoo – WitchesBrewPress. There’s also Twitter,  Tumblr and DeviantArt. The zine fest this past Saturday turned out to be really fun. Till next week.

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