Time Won’t Give Me Time – Psycho Bunny Sketch of The Week Aug. 13th, 2018

A few weeks back I attended the Culture Club and The B-52s concert over at Forest Hills stadium. It wasn’t my first seeing both of these acts live. It was more that both groups were such a part of my early teen years, and that it was right in my own backyard in Queens, NY.

When I was about 11 or 12, I brought the first B-52s album. I was the first kid on the block to have that record, and most likely the only one. It was early ’80’s in lower working class Queens. I was considered the school weirdo. Having this album only solidified my case. Not that I really cared.

When my friend used to come over, I introduced her to Rock Lobster. I made her wear old wigs dug out from my mother’s closet, which my mom wasn’t too happy about. I wasn’t happy because the wigs weren’t styled like in beehive hairdos. In my bedroom we pretended to be Kate and Cindy, wearing mom’s old forgotten wigs. We danced to most of the songs on side one, because vinyl still ruled in those days. That album cover is still pretty iconic to me.

The_B-52's_cover

Eventually I grew out of The B-52s. By the time “Love Shack” hit the charts, I was more into Post Punk, Goth, Industrial and anything non mainstream.

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Concert attendee at the Culture Club/B-52s show at Forest Hills stadium. Sat. July 28th, 2018. Photo by Michele Witchipoo.

Fast forward to July 2019 in Forest Hills stadium. (Wasn’t the band’s first time. The B-52s played Forest Hills stadium back in 1983. Most of the crowd was dancing to such classics like ’52 Girls’, ‘Planet Claire’, and what surprised me was ‘Mesopotamia.’ Of course they played ‘Love Shack’ and ‘Roam.’ You can see their set list here.

Thus leads to the first of the two latest sketches of the week. Decided to throw in two instead of one, due to last week’s absence.

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Psycho Bunny’s friends as The B-52s. Based on the comic written and drawn by Michele Witchipoo on WitchesBrewPress. Aug. 2018.

After The B-52s came Culture Club. I’ve mentioned dressing like the two women from The B-52s. However, it was the arrival of Boy George that took it from the bedroom to public display. I began to copy the Boy’s look. While going to class, I wore the hat, the baggy clothes, etc. Even had his dance moves down. Once again, I was the first kid on the block to embrace Boy George and crew. Also one of the very few. Boy George wasn’t very popular in the junior high I attended. In fact, that’s when I experienced homophobia.

Dressing like Boy George gave people the impression that they could insult me. Everyday I heard nasty remarks from other schoolmates such as “You know he’s gay, right?” “Why do you like him? He’s a man dressed like a woman!” “Boy George is a fag!” “Fag lover!!!” “You look like a freak!” “Hahahaha….” It was usually followed by “Why don’t you be normal, and listen to Michael Jackson like the rest of us?” Which led to my distaste of anything remotely related to Michael Jackson. To this day, if I hear just a few notes from a Jackson song, it makes me nauseous. I just equate Michael Jackson to general hypocrisy. Jackson is dead, and I still can’t stand the guy. It’s not his fault. It was my junior high classmates. The association. His music and image still reminds me of everything fake in today’s pop culture.

Because of all this rude behavior, it influenced me to look beyond my immediate Queens surroundings. I applied for those magnet high schools just to get away from all those rotten close minded classmates. Eventually I got accepted into the High School of Art and Design. Thanks to Art & Design, it lead me straight into a path of downtown Manhattan subculture, discovering Greenwich Village, stumbling upon small import record shops, cool clothing stores, and of course, Punk and Goth. Thus my high school years fared a helluva lot better than junior high.

I’ll never forget when word came out that I was not heading towards that local war zone, Byrant High School. Some guy quipped “oh, so you’re not going to the same high school as everyone else? What’s the matter? You’re too good for us now?”

Uh actually, when I think about it…yeah.

Not going to Byrant was one of the best decisions I ever made in my life. From what I heard years later, my suspicions were all confirmed. Thanks, but no thanks. This should explain my misanthropy.

‘ “Why does everybody gets so excited when we go back into the past? It just amazes me. It’s just metaphorical.” ‘ – Boy George during the Culture Club concert at Forest Hills stadium, New York. Saturday July 28th, 2018. 

But high school is high school, and life is a lot more than that. It’s still nice to reflect, take in some nostalgia, acknowledge your influences. To be ruled by the past though, is a prison you don’t want to be trapped in. Boy George definitely didn’t want to relive his past. In fact, most of the songs on the Culture Club set list was more like a rock and soul revue than Culture Club’s greatest hits. The opening song was a cover of David Bowie’s “Let’s Dance.” Fret not, they still did some of their greatest hits.

‘ “We’re a living, breathing soap opera. The amount of collective drama on this stage would kill a beginner.” ‘ Boy George during the Culture Club set at Forest Hills Stadium, Saturday July 28th, 2018. 

I appreciated that Culture Club didn’t want to rest of their retro laurels. Boy George himself waxed philosophically that night on the Forest Hills stage. He came across as intelligent and witty. There were times you sensed that he’s acknowledged lessons learned from his past experiences. This was evident with their recent single “Let Somebody Love You.” You never would’ve guessed he assaulted a male escort back in 2009. Then there was the time when he rebuked my friend’s request for an autograph that was meant to be for his mother. His mother was in her final stages of MS.

 Oh that Boy George. He’s such a Gemini.

Despite his shitty transgressions, I will always be thankful for his influence upon my life. It was a positive influence. His public image taught me that it was okay to think outside the box, to be yourself. If it wasn’t for him, Siouxsie Sioux, Joan Jett, Salvador Dali, Andy Warhol, and David Bowie, my outlook might’ve been very different. Probably a lot more bleak.

While I did accomplish a lot, I’m still residing in Queens. For now anyway. As someone who once wanted to ‘escape’ Queens, it’s now become the complete opposite. No thanks to the overall gentrification of NYC. I’ve learned to appreciate all the different cultures within my borough. Manhattan just isn’t the same anymore. Let’s not even talk about what happened with Brooklyn. The Bronx and Staten Island is too far away from everything. So Queens is where I stay. For now.

If you’ve made it this far, thank you. Here’s part two of the Psycho Bunny sketch of the week. Psycho Bunny as classic Boy George.

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Psycho Bunny as Boy George from Culture Club. Based on the comic written and drawn by Michele Witchipoo on WitchesBrewPress. August 2018.

The very next day after the B52s and Culture Club gig, I went to see Slayer over at Jones Beach, Long Island, NY. Talk about one extreme to the other. That will be discussed in next week’s blog post.

…and now. Memorize these social media links:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items. Just in time for Pride.

One of my hobbies is documenting what goes riding the NYC subway lines: Wildlife On The MTA. Cause if you can’t laugh, you’ll cry. MTA passengers know what I’m talking about. Even better: My WildlifeOnTheMTA Instagram is active once again.

Come back next week for a new Psycho Bunny sketch. Remember to bring in good karma.

 

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Don’t Believe In Modern Love (Dorian Gray ’80s Party)

Last week’s social butterfly quest ended with a night at Dorian Gray. Usually I’m not that much of a clubber, but the way NYC has become so sterile as of late, perhaps it was good to take what I could get. First on Friday, I attended the Kunst party in Williamsburg, on Saturday it was Hank’s Saloon to celebrate Mike Moosehead’s birthday (Blackout Shoppers, Skum City), a break on Sunday, onward Monday to the 16th Annual Mr. L.E.S. Pageant, now this.

For those who don’t know about Dorian Gray, it’s a monthly club party created by Kayvon Zand, which combines Glam, Goth, and all around creativity. This month’s theme had an ’80s vibe. Many of the current nightlife personalities took to the stage to cover songs by David Bowie, Grace Jones, Pink Floyd, Siouxsie and The Banshees, and more.

One of the hosts of the party was NYC legend Gerry Visco. She’s a photographer, writer, academic, performer, nightlife personality and NYC legend.

Gerry Visco, writer, photographer, actress, academic, and nightlife personality. One of the hosts for the Dorian Grey party. Photo by Michele Witchipoo Feb. 2015.
Gerry Visco, writer, photographer, actress, academic, performer, nightlife personality, and NYC Legend. One of the hosts for the Dorian Grey party. Photo by Michele Witchipoo Feb. 2015.

Michael T did an amazing cover of Bowie’s hit ‘Modern Love.’ As an adult, listening to the lyrics of this tune made me reflect a bit about my own life.

MC of the 1980s Dorian Grey party, Michael T. Photo by Michele Witchipoo Feb. 2015.
MC of the 1980s Dorian Grey party, Michael T. Photo by Michele Witchipoo Feb. 2015.

A personal favorite of the night was seeing a club goer dressed up as a member of Strawberry Switchblade.

Someone dressed as a member of Strawberry Switchblade. Dorian Grey party. Photo by Michele Witchipoo, Feb. 2015.
Someone dressed as a member of Strawberry Switchblade. Dorian Grey party. Photo by Michele Witchipoo, Feb. 2015.
Classic Madonna. Dorian Grey party. Photo taken by Michele Witchipoo, Feb. 2015.
Classic Madonna. Dorian Grey party. Photo taken by Michele Witchipoo, Feb. 2015.
Someone doing a Siouxsie cover of 'Happy House' Dorian Grey party. Photo by Michele Witchipoo, Feb, 2015.
Someone doing a Siouxsie cover of ‘Happy House’ Dorian Grey party. Photo by Michele Witchipoo, Feb, 2015.
Two Devo fans. I'm the one in the yellow. Dorian Grey party. Feb. 2015.
Two Devo fans. I’m the one in the yellow. Dorian Grey party. Feb. 2015.
A cover of Bily Idol's 'Eyes Without A Face' at Dorian Grey. Photo by Michele Witchipoo. Feb. 2015.
A cover of Bily Idol’s ‘Eyes Without A Face’ at Dorian Grey. Photo by Michele Witchipoo. Feb. 2015.
Cover of Bronski Beat's "Hit That Perfect Beat' at Dorian Grey. Photo by Michele Witchipoo Feb. 2015.
Cover of Bronski Beat’s “Hit That Perfect Beat’ at Dorian Grey. Photo by Michele Witchipoo Feb. 2015.

Originally I had wanted to come dressed as Boy George. Someone suggested I go as Siouxsie Sioux. Which was a good suggestion within itself but I had spent a good part of my teenage years cloning her. My trusty old DEVO outfit ended up being recycled. To be honest, I wasn’t expecting much of a reaction, knowing how the rest of the club revelers dress to the nines at Dorian Grey. To my surprise, DEVO got a positive response.

Here’s a video of Leo Gugu covering Grace Jones’ ‘Pull Up To The Bumper.’

Now I must get back to my own work, since March is going to be a much busy month for me. You can check out another link  of the night’s activities in the NEXT Magazine article. With that I’ll leave you with the Video of the Bowie cover, by Micheal T.