Closing Party – MF Gallery RHPS

The opening party at MF Gallery went so well, there’s going to be a closing party on August 30th. There will a screening of the classic cult film. Cosplay of all your favorite Rocky Horror Picture Show characters is encouraged. Of course there’s the art. It’s a group art show, in tribute to the Rocky Horror Picture Show itself. So if you missed it the first time around, here’s your second chance!

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Flyer for the closing party at MF Gallery. Rocky Horror Picture Show art tribute.

I’m one of the artists exhibiting a painting in this fine exhibit. All art is available for purchase, including mine. (hint-hint!) There’s even RHPS tattoos available.

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Dr. Frank-N-Futer painting by Michele Witchipoo. Medium: Acrylic and glitter. On display and sale at MF Gallery. Aug. 2019.

If you’re local in the NYC area, see you there. You’re probably ‘waiting in anticipation…’

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Forthcoming Events: RHPS Art Tribute @ MF Gallery & Talk @ Trans-Cen-Der

Will post more details as it unfolds. My work will be shown at both MF Gallery and Trans-Cen-Der Art Group (TAG).

First: If you’re a fan of The Rocky Horror Picture Show, then check out the art tribute at MF Gallery, Aug 3rd in Brooklyn, NY.

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Flyer for the RHPS Opening Party Aug. 3rd, 2019.

The other event will be at Trans-Cen-Der Art Group (TAG), an artist networking and community group located in Bushwick, Brooklyn. I will have a ten minute talk about my art, as slides of my work are shown.

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Trans-Cen-Der Art Group (TAG)

Details forthcoming about both events to be posted on this blog.

Instagram:

MF Gallery

Trans-Cen-Der

A Clockwork Psycho Bunny – Sketch of The Week.

Last month we went to check out the Stanley Kubrick photography exhibit over at the Museum of The City of New York. Stanley Kubrick has always been one of my favorite film directors. Back in high school, I made it a mission to check out every film Kubrick directed. This was way before the days of Netflix. If it wasn’t available on VHS, then I would hit up all the revival movie theaters. You millennials have it so easy nowadays!

Luckily films are now more easily obtainable. If it can’t be found on Blu Ray, DVD or through a streaming service, there always places in NYC. For example, Videology Bar and Cinema over in Williamsburg, Brooklyn.

Anyway, I sought out most of Kubrick’s films. 2001: A Space Odyssey, Lolita, the prophetic Dr. Strangelove, The Shining, Full Metal Jacket, and of course, A Clockwork Orange. Even sat through that yawn fest Barry Lyndon. Although I never managed to catch the earlier films like The Killing or Paths of Glory. Did watch Eyes Wide Shut much later on – despite my disdain for Tom Cruise.

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Entrance for the Stanley Kubrick photography exhibit over at the Museum of the City of New York. July 2019. Photo by Michele Witchipoo.

Before Kubrick became an influential film director, he got his start as a photographer for Look Magazine. At the exhibit, open until Oct. 28th, 2018, you can see the gritty yet candid detail that would later show up in Kubrick’s films. Kubrick was just 17 years old when he sold his first photo to Look back in 1945. These photos also show how NYC was from 1946 to 1951.

 

New York City wasn’t just Kubrick’s subject. At the exhibit, a Kubrick photograph of a tattooed and pierced carny was not accepted by the editors of Look. Apparently the photo was thought as ‘too extreme.’ It was decades before the ‘Modern Primitive‘ movement, which led to the current acceptance of body modification.

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The photo below particularly stood out. It’s of professional boxer Rocky Graziano. Graziano was trying to repair his reputation when Look did a feature on him. Boxing later helped Kubrick make the transition from photography to filmmaking.

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After walking through the Kubrick exhibit we checked out the rest of the museum. Right next to the Kubrick showing was the last day of Rebel Women, which inspired this sketch done back in August.

 

At the other end of the floor was a retrospective of the feminist era. It showed the beginning of the women’s rights movement, ending with one of Hilary Clinton’s infamous pantsuits.

 

Which leads to the Psycho Bunny sketch of the week. This sketch isn’t just a sketch. This weeks shows the cover of the latest Psycho Bunny issue. If all goes well, hopefully Psycho Bunny issue 3.5 will be released at the end of October.

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This may or may not be the final version of the cover. It really depends on finding the original typeface of the lettering used for the A Clockwork Orange film poster. For now you have an ideal about what the front cover looks like. Other details forthcoming. If the latest issue is completed in time, it’ll mostly likely debut at Incredicon, taking place in Upstate NY, Oct. 28th. Incredicon is a very small con, but it’s been a while since I’ve tabled at a comic book convention.

My life has been busy as of life. You however, still have time to check out these social media links:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

Still haven’t gotten around to posting those commissions on this blog. Maybe this week I’ll get around to doing so. Until then, stay tuned.

 

Pretty Pictures

Just when living in the re-branded NYC was getting me down, I had an opportunity to attend two prestigious art fairs: VOLTA NY , and The Armory Show. This past weekend had a whole slew of fine art festivals, but only so little time to explore. I was given a VIP on Sunday, which left me exactly four hours to check out everything.

VOLTA NY focused more on fine Modern and Post-Modern art.

It’s always amusing to see subcultures you grew up with, now considered to be ‘fine art.’ As with the case with artist Paul Brainard.

Continuing with VOLTA, I stumbled across artist Skylar Fein‘s work. The over-sized installations put the spotlight on items past.

Realizing I hadn’t seen The Armory Show yet, I went next door. First sight was Joan Miro‘s work.

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Artist Joan Miro’s section.

This was one of my top favorites. From artist Charmion Von Wiegand.

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Before my cellphone battery died, I managed to take a snap of this Andy Warhol piece.

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Downstairs was another section, featuring more contemporary art. Unfortunately, my cellphone battery died at this point. These photographs should give you a general idea. Hopefully I’ll be able to attend these two events again, in addition to more next year.

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Right before The Armory Show closed. Artist Joan Miro. Photo by Michele Witchipoo, March 2016.
All photographs by Michele Witchipoo, 2016. 

Another Reminder – Welcome To Our Nightmare X

Yet another reminder of Welcome To My Nightmare X, coming up next Saturday, March 28th.

Welcome To My Nightmare X flyer. I will be showing and selling my work, along with other artist and bands.
Welcome To My Nightmare X flyer. I will be showing and selling my work, along with other artist and bands.

Astoria Art Festival 2013

Here’s the poster and more details of the art fest I’ll be a part of starting September 27th, 2013. Already it’s gotten good press in Papermag and NY1.

Poster for the 2013 Astoria Art Festival.
Poster for the 2013 Astoria Art Festival.

My art will be shown at the Hellgate Social, located at 12-21 Astoria Blvd  Long Island City, NY 11102. Times: 9:00 pm- 12:00 am.

A Night Of Art Takes Times Square

Monday night was the “Art Takes Times Square” event. I had almost forgotten about it. Originally I wasn’t planning on attending, but then I figured, why not. It was only a short subway ride to Times Square. Figured I would snap a few pics and head back home.

It wasn’t hard to find the crowd. My rough guess about the crowd itself, it mostly consisted of artists who had participated in the contest. Then again, it’s not often that your artwork gets displayed on a 9×12 digital billboard in the middle of Times Square. Even if it was only for a minute. Still, it was joyous, as a marching band played during the festivities.

Mini marching band during the Art Takes Times Square event, Monday June 18th, 2012. Photo by Michele Witchipoo

I made it to 42nd just in time to catch my image broadcast on the screen, maybe around 10pm-ish.

My illustration on a 9 x 12 digital billboard in the middle of Times Square. Art Takes Times Square event, Monday June 18th, 2012. The illustration was originally created and finished December 2010. Illustration and photo by Michele Witchipoo.

Then there was the after party. Okay, I was curious. Since I was one of the many artists who had their work shown, again I figured, why not.

Usually I don’t go to mainstream clubs or parties. I don’t even hang out that much anymore, to be honest. Back when I was into being social, my choice would usually be places found on the Lower East Side of Manhattan. Either dive bars or small underground clubs playing more ‘Alternative’ music like post-Punk, Goth, retro 80’s New Wave, Industrial, etc. Sometimes Metal or basic Rock n’ Roll. Occasionally I would go to drag queen parties, which would sometimes be mixed with the whole downtown ‘Alternative’ scene, or fetish events. Back in the ’90s, I went to some Raves and Rave-type clubs, but again, it was part of the whole ‘Alternative’ culture. This was back during the ’90s and early 2000s’. But as for more ‘mainstream’ clubbing, I rarely did such thing.

I got to see what I was missing at the Art Takes Times Square after party. Which wasn’t much. Don’t get me wrong, I had a good time, but it felt a cross between Studio 54 and Zoolander. Well, Maybe the Tunnel mixed with Zoolander. Certainly reminded me of an early Love and Rockets comic, particularly a few panels in a Palomar story (if you don’t know what I’m talking about with the Love and Rockets comics, don’t worry.) Either way, take your pick. My favorite part was that some of the party people dressed up in costumes. It’s an aspect of clubbing that I miss very much, sort of like the old ‘Club Kid’ scene. Then again, it’s probably not fair to continue comparing today’s parties with the club events from my youth. It’s a different time after all.

Open bar at the Art Takes Times Square after party. Monday night, June 18th, 2012. Photo by Michele Witchipoo

You could tell that at this after party, there were people who had never been to a NYC nightclub before, and it showed. So it felt like a high school dance, only with an open bar. At least there was good wine being served. The DJ sporting fashionable bunny ears played a variety of musical genres, mostly tried and true classics. Hip-Hop, 80s Pop, Current top-40, Michael Jackson, AC/DC and Nirvana. You know, typical stuff you play for a catered wedding party. Actually, now when I think of it, it did feel like a catered wedding event, only minus the food. After a while, my cynicism dropped down a bit. Observing the other guests, you could easily tell who wanted to be creative with their outfits, which I appreciated, and who just wanted to strut like a peacock on the dance floor, striving for attention. About 90% of the crowd was truly enjoying themselves with this outdoor party. It was a perfect night for dancing too, as the mid-June weather was just right.

The angel and the devil meet. The devil says “is it hot in here, or is it me?” In which the angel replies, “is it a sin to wear glittery Speedos?” Monday night, Art Takes Times Square after party. June 18th, 2012. Photo by Michele Witchipoo.

As I’m pretty much free-writing this blog entry, I realize just how cynical I have become. Wow. It is due to age? Well, I’m not that old. Not yet anyway. At the same time, I thought about something I haven’t even recalled in aeons. Like when I went to Danceteria for the first time. I was maybe 15 or 16, and had no business being there. Thanks to my caked-on Siouxsie Sioux wanna-be makeup, I made it past security who assumed I was older than I actually was and never even asked for my ID.  I wasn’t a regular Danceteria patron, but I was friends with another under-aged classmate, who went every weekend. It was this same classmate who took me to my first club that had an ‘Alternative’ scene. Once I stepped inside the building, I explored the many floors Danceteria had to offer. It wasn’t long before I got swept up in the whole underground environment. I loved every minute of it.

I even snagged one of my first ever boyfriends inside that club. It was after a Public Image Limited show at the Beacon theater. Some people wanted to head down to Danceteria afterwards to chill out, and I followed. As I sat in the club’s video lounge, some skinny dude with a small mohawk sat next to me. He inquired if “I had ever gone out with a punk rocker before?” And of course, he wasn’t of legal age either.

My days at Danceteria lasted as long as that one week high school boyfriend. Danceteria shuttered its doors, and then the Jennifer Levin case happened. Afterwards, the NYC clubs cracked down, asking to see your ID.

Back to the present and my current jaded self. Isn’t lovely to be an adult? I speak with jest, but in all, the party wasn’t bad. Seriously, I’m not a hater as I’m making myself out to be. After all, clubbing is a bit like going to church every Sunday. Nightlife survives not only on music, dancing, and fashion – people need to connect with one another. Deep down inside, very few people desire to be alone.

Being my usual cynical self at the Art Takes Times Square after party. Monday June 18th, 2012.
What am I doing here? Art Takes Times Square after party. Monday June 18th, 2012.

The after party was showing the same images that was just displayed in Times Square hours earlier. Alright, I thought to myself, and so I patiently waited to snap another photo. By the time my art and name rolled around, open bar had ended, the crowd dwindled, and a few peeps here and there started getting douche-y. My illustration pops up. Just as I snapped the pic, some big-headed jerk gets in my shot. Then I heard the first few notes of The Cure’s “Boys Don’t Cry” – a band that I am now permanently sick of since 1990 – and I was out of there.

As soon as I went past the ropes, the bouncers politely bid me farewell. Which was actually nice for a change; ’cause I do have to say, the security was surprisingly mellow. I bumped into a friend, who had just come out from work. We chatted for a bit inside another bar, which played the same Rhianna song I’d only heard earlier at the after party. Times have certainly changed, but it’s not every day you get to see your art displayed in Times Square. So yeah, that was the nicest part of them all.

Tomorrow Night, My Art, Horror Show At The Hi-5

Before I forget, I’m going to have two pieces at the Hi-5. The Hi-5 is a lounge and bar located in Ridgewood, Queens, and I’ll be part of the exhibit along with other artists and bands. Although not as popular as the Bushwick art scene, Ridgewood is still coming on its own. So with that in mind, the Hi-5 will have a horror-themed art event tomorrow night.

Advert for the Hi-5 Punk Horror Art show.

At the last minute, I gave two pieces to be shown. Below are photos of the two pieces I have in the punk horror themed show up-close. These two debuted last week at the Bushwick Open Studio weekend. Now these two out of the Prometheus series is going to be shown this week at the Hi-5.

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Next Week: The 2011 West Coast Eisteddfod: Welsh Festival of Arts & Release Of “A Welsh Alphabet.”

Next weekend, if you’re going to be in the Los Angeles area, check out the 2011 West Coast Eisteddfod: Welsh Festival of Arts.

Flyer for the 2011 West Coaist Eisteddfod show.

http://www.aravenabovepress.com/

http://events.la.com/los-angeles-ca/events/show/174058765-2011-west-coast-eisteddfod-welsh-festival-of-arts

The illustration I did for the forthcoming book “A Welsh Alphabet” will be on exhibit during this event. September 23, 2011 will also be the release date of the book itself, to make its debut at the the 2011 West Coast Eisteddfod festival.

Forthcoming book "A Welsh Alphabet" to be published by A Raven Above Press, 2011.

You can order your own copy of the book from Amazon.com after September 23 here