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Posts Tagged ‘nyc’

It happened yet again. Last Friday I received a surprise text on my cell. Apparently I won tickets to see Wasabassco’s House of Deveraux: Tribute to Led Zeppelin. This was the second time this year I won tickets to an event (double bill Judas Priest and Deep Purple), and third time winning tickets in general (to see Kite back in 2016). What luck! A few hours later I hopped on the subway to (Le) Poisson Rouge.

2018 has become a Led Zeppelin themed year. A few months ago I saw Robert Plant perform at Forest Hills Stadium. Since then I’ve been on a Led Zeppelin kick. Even if I still skip ‘Stairway To Heaven’ when using Spotify. House of Deveraux blended the art of strip tease dancing to songs like Kashmir effortlessly. All the burlesque performers did their own take of each Led Zep tune to a packed audience. Here’s a review of the show on Brooklyn Vegan.

Which leads to the weekly Psycho Bunny sketch of the week for Sept. 19th, 2018.

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Psycho Bunny takes in some burlesque! Based on the comic book written and drawn by Michele Witchipoo, on WitchesBrewPress. September 2018. 

Social Media time!

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

Come back next week for a new Psycho Bunny sketch.

 

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By now I would’ve had the latest Psycho Bunny sketch of the week posted. The artwork has been completed. Just haven’t had time to scan it. It’ll be on this blog very soon.

In the meantime, here’s a recent commission I did a few weeks ago. It was the second time working for this awesome client. The style was a change of pace in regards to my usual style. It’s a local rapper from Queens. As requested, I’m not telling who. (Was given permission to post the art) I was going through his Instagram account, but when I watched his promo videos from his YouTube channel, that’s when everything flowed.

Here’s the inked version before color:

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Here’s the colored version.

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The mediums used was pencil, pen, ink, watercolor and glitter watercolor. Again, the scan doesn’t really show the shimmer from the glitter watercolor very well. It looks better in person. The person who commission this was very happy with the final results.

I’m still taking commissions, so if you’re interested, discuss rates, etc., send me an email: Witchipoo@witchesbrewpress.net. Serious inquires only.

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Last month we went to check out the Stanley Kubrick photography exhibit over at the Museum of The City of New York. Stanley Kubrick has always been one of my favorite film directors. Back in high school, I made it a mission to check out every film Kubrick directed. This was way before the days of Netflix. If it wasn’t available on VHS, then I would hit up all the revival movie theaters. You millennials have it so easy nowadays!

Luckily films are now more easily obtainable. If it can’t be found on Blu Ray, DVD or through a streaming service, there always places in NYC. For example, Videology Bar and Cinema over in Williamsburg, Brooklyn.

Anyway, I sought out most of Kubrick’s films. 2001: A Space Odyssey, Lolita, the prophetic Dr. Strangelove, The Shining, Full Metal Jacket, and of course, A Clockwork Orange. Even sat through that yawn fest Barry Lyndon. Although I never managed to catch the earlier films like The Killing or Paths of Glory. Did watch Eyes Wide Shut much later on – despite my disdain for Tom Cruise.

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Entrance for the Stanley Kubrick photography exhibit over at the Museum of the City of New York. July 2019. Photo by Michele Witchipoo.

Before Kubrick became an influential film director, he got his start as a photographer for Look Magazine. At the exhibit, open until Oct. 28th, 2018, you can see the gritty yet candid detail that would later show up in Kubrick’s films. Kubrick was just 17 years old when he sold his first photo to Look back in 1945. These photos also show how NYC was from 1946 to 1951.

 

New York City wasn’t just Kubrick’s subject. At the exhibit, a Kubrick photograph of a tattooed and pierced carny was not accepted by the editors of Look. Apparently the photo was thought as ‘too extreme.’ It was decades before the ‘Modern Primitive‘ movement, which led to the current acceptance of body modification.

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The photo below particularly stood out. It’s of professional boxer Rocky Graziano. Graziano was trying to repair his reputation when Look did a feature on him. Boxing later helped Kubrick make the transition from photography to filmmaking.

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After walking through the Kubrick exhibit we checked out the rest of the museum. Right next to the Kubrick showing was the last day of Rebel Women, which inspired this sketch done back in August.

 

At the other end of the floor was a retrospective of the feminist era. It showed the beginning of the women’s rights movement, ending with one of Hilary Clinton’s infamous pantsuits.

 

Which leads to the Psycho Bunny sketch of the week. This sketch isn’t just a sketch. This weeks shows the cover of the latest Psycho Bunny issue. If all goes well, hopefully Psycho Bunny issue 3.5 will be released at the end of October.

PsychoBunnyClockworkOrangeSept2018WEB

This may or may not be the final version of the cover. It really depends on finding the original typeface of the lettering used for the A Clockwork Orange film poster. For now you have an ideal about what the front cover looks like. Other details forthcoming. If the latest issue is completed in time, it’ll mostly likely debut at Incredicon, taking place in Upstate NY, Oct. 28th. Incredicon is a very small con, but it’s been a while since I’ve tabled at a comic book convention.

My life has been busy as of life. You however, still have time to check out these social media links:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

Still haven’t gotten around to posting those commissions on this blog. Maybe this week I’ll get around to doing so. Until then, stay tuned.

 

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First off. I know this particular blog post is late. This exhibit happened all the way back in Jan. 6 to February 10th, 2018. Why am I posting about this now? This year is halfway over. Fall is already around the corner. Guess I’m getting 2018 out of the way.

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Industrial Culture Handbook. Published by RE/Search Books.

As a huge fan of the RE/Search book series, I discovered bands, underground personalities, subcultures, tattooing, occultism, tribal culture, strange films, sado-masochism, subversive literature, etc. RE/Search had a huge influence on me during my late teens and early 20s. It was through one of the RE/Search titles, Industrial Culture Handbook‘. It was purchased at the zine shop See/Hear maybe sometime back in 1990 or 1992. That’s when I first read about Mark Pauline. (You can read about See/Hear in this post. Better yet, now you can download the PDF version from this site, although I strongly encourage you to purchase the book.)

Mark Pauline is the founder, director and member of Survival Research Laboratories. SRL for short. He specializes in creating confrontational  industrial mechanics. The robotic movements of these creations could be considered performance art, even if occasionally unpredictable.  In January 2018, the Marlborough Contemporary gallery located in Chelsea, NYC showcased his work. As stated in a press release: “…is pleased (and slightly nervous) to present Inconsiderate Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature by the legendary Survival Research Laboratories. The exhibition, the first solo presentation by SRL in a commercial gallery, comprises eight kinetic sculptures dating from 1986 to the present, along with video documentation of past performances in which these machines were engaged.”

I’ve always wanted to witness an SLR event. After all these years here was my chance.

 

 

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The opening event took place on a sub-zero freezing Saturday night. The exhibit was part retrospective, part demonstrative. There was a robot moving around directionless in one area. Another machine featuring decaying animal corpses spun the carcasses inside the transparent globes

 

Here’s a YouTube clip I complied from all the smartphone footage filmed from opening night. I was experimenting with some free video maker, so you’ll have to excuse the cheesy soundtrack.

Here’s a more professional video of SRL/Mark Pauline demostrating these machines:

Some more articles about Mark Pauline and SRL: 

New York Times

Hyperallegic

Vice Magazine 

Office Magazine

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All photos by Michele Witchipoo unless otherwise stated. 

 

 

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Since Fall 2017, I’ve been attending more concerts than usual. This personal trend started when my friend sold me her ticket to the Front 242 gig over at Irving Plaza. This was followed by Gary Numan, then Television. Over the past few months I’ve seen bands going across the board from local, national and even international. 2018 started with a show over at St. Vitus. The bill was Royal Thunder, Backwoods Payback and Heavy Temple. This was followed by Mac Sabbath, Clan of Xymox, Anvil, Melvins, Robert Plant, Culture Club/The B-52s, Slayer/Lamb of God/Anthrax/Testament/Napalm Death which was the next day after Culture Club, and now capping it off with CAKE.

So far in the summer of 2018, I’ve been to Forest Hills Stadium three times. It’s not a bad venue. Even if your seats are all the way back next to Saint Philomena, you can still have a decent view. Since I live in Queens, it’s convenient. The bad part is there’s an enforced curfew of 10 pm for all shows. That’s because the stadium is smack in the middle of a residential area. Boo.

Anyway, I’ve always wanted to see CAKE live. They do one of my favorite songs from the ’90s, ‘The Distance’, but the band is so much more than that hit single. The concert itself was a double bill with Ben Folds Five, with Tall Heights opening. Somehow during the Ben Folds Five set, someone from that band didn’t show up. So a member of Tall Heights had to fill in. Ben Folds Five isn’t usually my “cup of tea” as they say, but live they were all right.

So CAKE comes on despite the grueling humidity. Hey. Kudos to any band that can perform under those nasty weather conditions. CAKE performed their latest single “Sinking Ship.” It wasn’t long until the band had everyone singing along to “Sick of You.” John McCrea also raised some good points. Like how everyone is so into their smartphones nowadays, we forget to live in the moment. He requested that people put down the cells just to enjoy the concert, but many ignored his plea.

Somehow in the middle of the concert, they started rushing through their set. Apparently they were told by management they had to cut the perform short. There was barely enough time for the tree giveaway shtick. (Too bad; I wanted that tree!) Yet the crowd adored the band. By the time ‘The Distance’ came on, people were dancing in their seats.

The best part of the concert in my opinion? Catching glimpses of lightening during the gig. There was thunder, but no rain. Once the thunder started to crack, some people left their seats in hast. Not me. I thought seeing thunder during a show was awesome. Slightly dangerous, maybe, but still awesome.

After the last song, the entire crowd demanded an encore. The audience loved CAKE. After two to five minutes, the band finally came back, doing a clever cover of Black Sabbath’s “Warpigs.” Then things got serious when John McCrea made another plea to the audience. This time, for Americans to register to vote. I’m not kissing his ass, but he’s right. Yes, the election voting system is flawed – but don’t give up on the process. Sometimes voting is the only voice someone could have.

Which leads up to…yup, you got it. The Psycho Bunny sketch of the week. Influenced by CAKE and their tradition of giving away a tree during each concert.

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CAKE and the free tree giveaway. Based on the comic written and drawn by Michele Witchipoo on WitchesBrewPress. August 2018.

Social media time:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

Come back next week for a new Psycho Bunny sketch. Also keep an eye out, I might be posting more commissions this week. If you have an extra cash floating around, buy one of my comics, or get a commission. You won’t regret it.

UPDATE: Added additional photographs taken from the cheap seats at Forest Hills Stadium. Including Ben Folds Five. 

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Really didn’t do another David Bowie blog post. Thought that was done once I visited the Bowie exhibit over at the Brooklyn Museum. Unfortunately, everything has been really busy lately. Once I had some free time, the first three days was spent sleeping in and whatnot. Now that I’m back blog posting, there’s art to upload, concerts to semi-review, etc. It’s Friday as of this post. So it doesn’t make sense to finally post a new Psycho Bunny sketch of the week. Those entries are usually online from Monday to Wednesday, most likely Monday. So let’s go back a few months to when the Brooklyn Museum and Spotify had a massive clever promotion at the Broadway-Lafayette subway station. In addition you could score your own limited edition Bowie Metrocards. Currently I have the complete set in my possession.

It also gave me a chance to take some selfies with my freshly dyed hair, thanks to Second Star salon. Usually I do my own hair, but hey. My friend has some serious skills.

Basically the entire subway station at Broadway-Lafayette/Bleecker Street was covered with Bowie. Hopped on the 6 train. Upon arrival, there it was.

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Here’s some more photos of the Bowie-fied station. Slightly reminded me of Christiane F, when she used to hang around Zoo station in Berlin. All was needed was Warszawa playing in the background. Only it’s gentrified NYC 2018 with no junkies in sight.

It was time to collect those Bowie subway Metrocards. People were lining up at the token booth. How it went was, most of the cards was in the self-service machines. However, to avoid wasting your money with random cards, you could also buy the card you needed at the booth. Luckily the machine gave me one of each, and only needed to buy one card from the token booth to complete my set.

As I was getting most of the Bowie cards from the self service machines, a tourist was looking over my shoulder, watching what Bowie cards I was receiving. Then some Japanese film crew came over, interviewing me about my purchases. They filmed me getting one of the final cards. That same Japanese crew then interviewed some man who told them he couldn’t be bothered doing the physical random purchase; so he already brought a complete set from eBay for $200. Must be nice to have money to burn. When the tourist wanted to do a Metrocard trade, that was my cue to take a break. Too many people were hovering over those Metrocard dispensers. Even though for the most part, it was peaceful.

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The display inside the subway station was still nothing compared to the actual exhibit at the Brooklyn Museum.

A few days later, I just happened to find a book in the street. It was a Bowie biography. Barely read, near the stairs of some apartment building. Right in my own Queens neighborhood. That was some synchronicity.

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That should cap off the Bowie posts for now. Next week I’ll return with some brand new Psycho Bunny sketches of the week.

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Earlier last month (July 2018), I had the pleasure of doing a commission from a lovely lady I had met at Second Star salon, which my friend owns. Two weeks later she contacted me, requesting a commission for her birthday. In her request, she wanted something slightly retro with a rock n’ roll edge, cakes and bees. The bunny, would be the ‘Honey Bunny.’

Including the bees and honeycombs was especially important. That’s because she has her own honey making business called Well-Beeing Concepts.

Below is the black and white pen version, before the color.

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“Honey Bunny” birthday commission, July 2018. Art by Michele Witchipoo. Black & white, pen before the coloring. 

Here’s a scan of the same commission, this time done in glitter watercolor. Although the glitter part of the paint doesn’t really come through in the scan, in person you can see the shimmer.

HoneyBunnyJuly2018WEB

“Honey Bunny” A birthday commission done in July 2018. Art by Michele Witchipoo. The scan fails to pick up on the shimmer of the glitter watercolors, but still an awesome piece. Pen, ink, glitter watercolor. 

Really pleased about the way this commission came out. Stay tuned folks. I’m going to be posting another commission soon, which will be done in a darker style. Of course, if you want your own commission, email me: Witchipoo@witchesbrewpress.net.

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