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Posts Tagged ‘nyc’

There’s a reason why I’m posting this sketch. Mind you, it’s not one of my best. Then again as of this posting, I’m sick at home with serious flu.

A few days, a local DJ from the Goth/Post Punk scene passed away. The news has come to a shock among many. He had been battling depression.

In various subculture scenes, those within the communities tend to eat their own. You have to swim against the sharks, the leeches, the bottom feeders. However, Alex Von Nihil was different. He was funny, kind, sincere, non pretentious sort of person. He was a resident DJ at the Pyramid Club during it’s No Return Post Punk Society parties. Alex was also an established DJ at many other parties. While I didn’t know him well, it was obvious that music was one of his true loves.

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NYC Goth DJ Alex VOn Nihil.

On Facebook Alex was the guy who always tried to make others laugh. In private who knows what he was feeling inside. During the holiday season last year in 2017, I dropped by the Pyramid after attending a company Christmas party. He came down from his DJ station, went straight up to me, and gave me the sweetest bear hug. It surprised me a tiny bit, but I knew that his hug came from the heart. Never forgot that.

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NYC Goth DJ Alex VOn Nihil spinning at The Pyramid Club for the No Return Post Punk Society parties.

The last time I saw him in person was at Brooklyn Bizarre for the Clan of Xymox concert. Which ironically I blogged about earlier this year.

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Alex gave the impression that he loved to make others giggle. He wasn’t without friends. They had this inside joke: “that’s burnt.” Oh, and Alex was a fan of pineapple pizza. Which leads to the sketch. No matter how unappetizing the pizza looks, this sketch is for him. Besides. Pineapple on pizza really isn’t bad. So in an underground scene where you come across users, losers and creeps, Alex was genuine.

R.I.P. Alex. You will be missed.

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Pineapple Pizza. Quickly done sketch by Michele Witchipoo. Nov. 2018.

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As you geeks know, New York Comic Con happened last month. Let’s just call it NYCC for short. I attend every year, even if my own comic book tastes run more towards alternative than Marvel or DC. I’ll go to do the ‘networking’ thang, check out the current trends, but it’s also become a bit like a mini-vacation. NYCC also reminds me why I got interested in comics, sci-fi and other related genres in the first place.

The first five years of attending NYCC, I got caught up in all the buzz, the excitement, the cosplay, etc. Things shifted a few years ago. Like last year, a lot of time was spent attending panels.

This blog post will focus on NYCC 2018 cosplay. I was surprised on the type of cosplay seen this year. Despite Black Panther being huge at the box office, I didn’t see a lot of Wakanda. There’s this photo:

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Black Panther cosplay at NYCC 2018. Photo by Michele Witchipoo.

Was more surprised on witnessing more Harry Potter cosplay. Doctor Who cosplay went down. Bob’s Burger cosplay went up. Star Wars cosplay from any era will always be a staple of any comic book convention. That’s a given.

 

Another reminder about many years I’ve been attending NYCC. In 2008, I saw a man outside the Javits Center play the accordion while wearing a Boba Fett helmet. Exactly ten years later, he was back!

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Boba Fett playing the accordion outside 2018 NYC. First saw him back in 2008. Renegade Accordion on FB and IG. Photo by Michele Witchipoo, Oct. 2018.

Deadpool cosplay was still going strong, but it was usually in some form of mash-up/crossplay.

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Pope Deadpool. NYCC 2018. Photo by Michele Witchipoo Oct. 2018.

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Cosplay at NYCC 2018. Photo by Michele Witchipoo. Oct. 2018.

Ending part one of NYCC 2018 is the inescapable photobomb. None other than good old Deadpool himself.

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When you’re photo bombed by Deadpool. NYCC 2018. Photo by Michele Witchipoo. Oct 2018.

This report on NYCC 2018 will be continued on another blog post. Until then, enjoy some tasty grub from the Bob’s Burgers food trucks outside of Javits Center.

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This past weekend was New York Comic Con 2018. NYCC for short. I spent all four days at Javits Center, and now I’m literally exhausted. Was it worth it? Absolutely.

While NYCC felt like a second home, the MTA was an entirely different story. What genius decides to close off the 7 train stop right during the busiest weekend in the Hudson Yards area!?! On Saturday I decided to attend the CBDL after con party. Made the mistake of taking that wretched shuttle bus. It was the cattle call from f’ing hell. The bus driver himself had no clue what he was doing. Instead the driver did this zig-zag route that barely made it to West 44th street. The original destination was West 42nd street. The L train chimed in by doing it’s shuttle run from Williamsburg instead of it’s usual run to Canarsie. Then the R train joined in the fun.

Once inside NYCC, it was smooth sailing. If the subway didn’t drain you first.

Due to my exhaustion, I will blog about NYCC 2018 in another post. Lots of photos, panel reviews and good times. In the meantime, here’s the Psycho Bunny sketch of the week for Oct. 8th, 2018.

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Psycho Bunny tries to commute to NYCC 2018. The MTA has other plans. Based on the comic written and drawn by Michele Witchipoo on WitchesBrewPress. Oct. 2018.

Blah, blah, blah…social media promo time.

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

End of October, I will have a table at a small comic con in Upstate NY.

Stay tuned for more Inktober 2018 sketches.

 

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It happened yet again. Last Friday I received a surprise text on my cell. Apparently I won tickets to see Wasabassco’s House of Deveraux: Tribute to Led Zeppelin. This was the second time this year I won tickets to an event (double bill Judas Priest and Deep Purple), and third time winning tickets in general (to see Kite back in 2016). What luck! A few hours later I hopped on the subway to (Le) Poisson Rouge.

2018 has become a Led Zeppelin themed year. A few months ago I saw Robert Plant perform at Forest Hills Stadium. Since then I’ve been on a Led Zeppelin kick. Even if I still skip ‘Stairway To Heaven’ when using Spotify. House of Deveraux blended the art of strip tease dancing to songs like Kashmir effortlessly. All the burlesque performers did their own take of each Led Zep tune to a packed audience. Here’s a review of the show on Brooklyn Vegan.

Which leads to the weekly Psycho Bunny sketch of the week for Sept. 19th, 2018.

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Psycho Bunny takes in some burlesque! Based on the comic book written and drawn by Michele Witchipoo, on WitchesBrewPress. September 2018.

Social Media time!

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

Come back next week for a new Psycho Bunny sketch.

 

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By now I would’ve had the latest Psycho Bunny sketch of the week posted. The artwork has been completed. Just haven’t had time to scan it. It’ll be on this blog very soon.

In the meantime, here’s a recent commission I did a few weeks ago. It was the second time working for this awesome client. The style was a change of pace in regards to my usual style. It’s a local rapper from Queens. As requested, I’m not telling who. (Was given permission to post the art) I was going through his Instagram account, but when I watched his promo videos from his YouTube channel, that’s when everything flowed.

Here’s the inked version before color:

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Here’s the colored version.

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The mediums used was pencil, pen, ink, watercolor and glitter watercolor. Again, the scan doesn’t really show the shimmer from the glitter watercolor very well. It looks better in person. The person who commission this was very happy with the final results.

I’m still taking commissions, so if you’re interested, discuss rates, etc., send me an email: Witchipoo@witchesbrewpress.net. Serious inquires only.

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Last month we went to check out the Stanley Kubrick photography exhibit over at the Museum of The City of New York. Stanley Kubrick has always been one of my favorite film directors. Back in high school, I made it a mission to check out every film Kubrick directed. This was way before the days of Netflix. If it wasn’t available on VHS, then I would hit up all the revival movie theaters. You millennials have it so easy nowadays!

Luckily films are now more easily obtainable. If it can’t be found on Blu Ray, DVD or through a streaming service, there always places in NYC. For example, Videology Bar and Cinema over in Williamsburg, Brooklyn.

Anyway, I sought out most of Kubrick’s films. 2001: A Space Odyssey, Lolita, the prophetic Dr. Strangelove, The Shining, Full Metal Jacket, and of course, A Clockwork Orange. Even sat through that yawn fest Barry Lyndon. Although I never managed to catch the earlier films like The Killing or Paths of Glory. Did watch Eyes Wide Shut much later on – despite my disdain for Tom Cruise.

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Entrance for the Stanley Kubrick photography exhibit over at the Museum of the City of New York. July 2019. Photo by Michele Witchipoo.

Before Kubrick became an influential film director, he got his start as a photographer for Look Magazine. At the exhibit, open until Oct. 28th, 2018, you can see the gritty yet candid detail that would later show up in Kubrick’s films. Kubrick was just 17 years old when he sold his first photo to Look back in 1945. These photos also show how NYC was from 1946 to 1951.

 

New York City wasn’t just Kubrick’s subject. At the exhibit, a Kubrick photograph of a tattooed and pierced carny was not accepted by the editors of Look. Apparently the photo was thought as ‘too extreme.’ It was decades before the ‘Modern Primitive‘ movement, which led to the current acceptance of body modification.

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The photo below particularly stood out. It’s of professional boxer Rocky Graziano. Graziano was trying to repair his reputation when Look did a feature on him. Boxing later helped Kubrick make the transition from photography to filmmaking.

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After walking through the Kubrick exhibit we checked out the rest of the museum. Right next to the Kubrick showing was the last day of Rebel Women, which inspired this sketch done back in August.

 

At the other end of the floor was a retrospective of the feminist era. It showed the beginning of the women’s rights movement, ending with one of Hilary Clinton’s infamous pantsuits.

 

Which leads to the Psycho Bunny sketch of the week. This sketch isn’t just a sketch. This weeks shows the cover of the latest Psycho Bunny issue. If all goes well, hopefully Psycho Bunny issue 3.5 will be released at the end of October.

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This may or may not be the final version of the cover. It really depends on finding the original typeface of the lettering used for the A Clockwork Orange film poster. For now you have an ideal about what the front cover looks like. Other details forthcoming. If the latest issue is completed in time, it’ll mostly likely debut at Incredicon, taking place in Upstate NY, Oct. 28th. Incredicon is a very small con, but it’s been a while since I’ve tabled at a comic book convention.

My life has been busy as of life. You however, still have time to check out these social media links:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

Still haven’t gotten around to posting those commissions on this blog. Maybe this week I’ll get around to doing so. Until then, stay tuned.

 

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First off. I know this particular blog post is late. This exhibit happened all the way back in Jan. 6 to February 10th, 2018. Why am I posting about this now? This year is halfway over. Fall is already around the corner. Guess I’m getting 2018 out of the way.

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Industrial Culture Handbook. Published by RE/Search Books.

As a huge fan of the RE/Search book series, I discovered bands, underground personalities, subcultures, tattooing, occultism, tribal culture, strange films, sado-masochism, subversive literature, etc. RE/Search had a huge influence on me during my late teens and early 20s. It was through one of the RE/Search titles, Industrial Culture Handbook‘. It was purchased at the zine shop See/Hear maybe sometime back in 1990 or 1992. That’s when I first read about Mark Pauline. (You can read about See/Hear in this post. Better yet, now you can download the PDF version from this site, although I strongly encourage you to purchase the book.)

Mark Pauline is the founder, director and member of Survival Research Laboratories. SRL for short. He specializes in creating confrontational  industrial mechanics. The robotic movements of these creations could be considered performance art, even if occasionally unpredictable.  In January 2018, the Marlborough Contemporary gallery located in Chelsea, NYC showcased his work. As stated in a press release: “…is pleased (and slightly nervous) to present Inconsiderate Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature by the legendary Survival Research Laboratories. The exhibition, the first solo presentation by SRL in a commercial gallery, comprises eight kinetic sculptures dating from 1986 to the present, along with video documentation of past performances in which these machines were engaged.”

I’ve always wanted to witness an SLR event. After all these years here was my chance.

 

 

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The opening event took place on a sub-zero freezing Saturday night. The exhibit was part retrospective, part demonstrative. There was a robot moving around directionless in one area. Another machine featuring decaying animal corpses spun the carcasses inside the transparent globes

 

Here’s a YouTube clip I complied from all the smartphone footage filmed from opening night. I was experimenting with some free video maker, so you’ll have to excuse the cheesy soundtrack.

Here’s a more professional video of SRL/Mark Pauline demostrating these machines:

Some more articles about Mark Pauline and SRL: 

New York Times

Hyperallegic

Vice Magazine 

Office Magazine

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All photos by Michele Witchipoo unless otherwise stated. 

 

 

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