It was about time I updated this blog. To tell you the truth, not much happened this summer. In fact, it was pretty uneventful. There were a few highlights. I caught a performance art piece by Ron Athey. It wasn’t type of performance he’s usually known for. Instead it focused on automatic writing. Thanks to my dear Facebook friend, she got me into this band called The Lost Patrol. Then every other Sunday I’ve been going to Hare Krisha services with one of my oldest friends. Not that I’m going to convert to Krisha consciousness anytime soon. I prefer the more traditional Hindu and Buddhist mindset. Still, I like the chanting, and I get to hang with my pal. So now I’m torn between my current agnostic stance, and wondering if I should tip my toes into the esoteric pool again. Then I had a fun night at one of Time Square’s last standing local bars. Nearby me on the desk are these drawn-on bar napkins from Jimmy’s Place. The art on these napkins was a collaboration between a me and a friend. My souvenir of the night. Maybe I’ll post the photo from Jimmy’s. Those napkins kinda sorta helped me fight against this artist block I’ve seem to be experiencing as of late. Instead this summer has been spent mostly reflecting. Reflection with a small black cloud stewing above my head.
Perhaps the artist block is starting to crack. I’ve been sketching on and off, but nothing stood out. Tonight I did this quick sketch below. It’s influence these two factors. One was a conversation from the past 48 hours. The other was articles I had been reading about Linda Lovelace, since a film about her life is currently in the theaters.
The style of this sketch is similar to what I used to do before I went back to college. Like with the first issue of Babalon Babes, warts and all. For those who don’t know, Babalon Babes was a self-published sketchbook I used to sell at comic cons and local shops. It’s focus was occult and sexuality. I stopped doing Babalon Babes around late 2009 after the astrology issue. Anyway, this sketch is kinda rough, but it works. It might do well as a painting, either in acrylic or watercolor and ink wash. For now it’s just basic pen work.
It’s soundtrack was Marc and The Mambas, My Life With The Thrill Kill Kult, classic Depeche Mode, Soft Cell, and early Death In June.
2 thoughts on “Breaking Blocks With Gas Masks”
Cool posts. And this is really nice work.