My illustration titled “Shock Rock” which describes when GWAR was on The Jerry Springer show will be part of an exhibit this Saturday, May 3rd, 2014, 7 pm.
Over a 100 different artists will have their work on display, in various mediums. Already it’s gotten mentions in the Metal music press. I’m really psyched to be a part of this show. Below is my piece, which along with others will also be for sale. Part of the proceeds will go towards the Dave Brockie Foundation. If you were ever a GWAR fan, definitely check out this show.
I first became intrigued by Harry Houdini back in elementary school. My fourth grade teacher assigned everyone in the class a book report. As we searched the school library, I came across this biography of Houdini. It was written for grade school children of course, but that’s how I became interested in the magician.
Over the years I would hear about people gathering around every Halloween at Houdini’s resting place. Then around 2009, I moved to the Ridgewood area. As my luck would have it, I would be living within walking distance to Machpelah Cemetery.
As it’s been reported, Machpelah Cemetery is a rather sad place. The cemetery itself has not been properly maintained. In fact, the whole entire area is in disarray. It’s certainly an eyesore next to the other surrounding cemeteries. Whenever I’ve paid a visit over the years, I’ve seen two maintenance men at the location only once. If they were maintenance men – they didn’t seem to be doing their job.
This Jewish cemetery would have been forgotten if Houdini hadn’t been buried there. Over the years it’s gotten the occasional relief. David Copperfield, one of the best known contemporary magicians has donated $15,000 to the Society of American Magicians. Other donations came in to keep towards the upkeep. Despite this, conflicts between Machpelah’s manager, David Jacobson and the New York chapter of SAM (Society of American Magicians) occurred. In recent years, the Houdini Museum from Scanton, PA stepped in.
On March 23rd, 2014, Dave Brockie , better known as Oderus Urungus from the band GWAR passed away. He was only 50 years old. Brockie was the second GWAR member to pass way (Cory Smooth, aka in 2011), and since his death, GWAR’s future remains in question.
Here’s my own tribute to Oderus Urungus.My watercolor illustration from when GWAR was a guest on The Jerry Springer Show back in 1997. The episode was called “Shock Rock” and had concerned mothers confront these bands about their influence upon America’s youth. El Dulce from The Mentors was also on the panel, but Brockie and his crew clearly reigned supreme.
As I started to do this piece, chants of “JERRY! JERRY!” started going through my head. It was apparent that doing a trash program like Springer was really beneath GWAR. In end, something was gained. you can bet that this episode gained them new fans, saving them from a mundane existence. Hell, even Springer became an honorary ‘Scumdog.’
I could post a clip from YouTube, but in the few years I’ve been doing this blog, videos seem to get torn down. So I suggest you Google the video yourself. Meanwhile, please enjoy my Brockie illustration, done in glitter watercolor, ink and pen. It’s been a while since doing artwork I was proud of. For that, I’d like to thank Oderus Urungus as he travels through the gladiatorial arena.
Ever since doing book report on him during elementary school, I’ve been slightly fascinated by magician Harry Houdini. Houdini and the rest of his immediate family are buried in Machpelah Cemetery, located in Ridgewood, Queens (although it’s really closer to Glendale).
Machpelah Cemetery 8230 Cypress Hills Street Ridgewood Queens NY 11385
There is a supposedly a telephone listed with the address, but don’t bother calling it. As you can tell by the photos, the office hasn’t been in use for quite some time.
As I was leaving Machpelah Cemetery, I noticed a sign screwed into one of the nailed up doors. The sign states that the Houdini site is solely cared for The New York chapter of the Society of American Magicians. The sign’s statement ends with a quote “We never pay the bill.”
When I got home I did some research to discover the entire exact quote.
“Turns out, someone does come and shape up the grave once in a while. The New York chapter of the Society of American Magicians has a Houdini Gravesite Committee, and a Brooklyn man named George Schindler is the committee chairman. He said that the bust of Houdini that once adorned the grave site was often vandalized and is now kept in storage by the committee, whose members bring landscaping tools to the cemetery and tidy up the grave site several times a year.
“Houdini paid for perpetual care, but there’s nobody at the cemetery to provide it,” he said, adding that the operator of the cemetery, David Jacobson, “sends us a bill for upkeep every year but we never pay it because he never provides any care.”
Machpelah Cemetery is right next door to other Queens cemeteries, all which are way better maintained that the one Houdini is buried in. However, despise Machpelah’s negligence, the final resting place for Harry Houdini still hold much more mystery.
This past Saturday was the first time in many years I didn’t have an exhibitor table at MoCCA Art Fest 2014. It didn’t really bother me. Although I had done illustrations for others’ books, perhaps it was time for a break.
Other than the sight of some indie comic distributor I confronted last year, this year’s MoCCA was pretty good. The exhibitors were mostly all new. Ever since MoCCA merged with Society of Illustrators, some improvements were made.
I arrived on time for the best part of the whole MoCCA event. The Robert Williams Q&A panel. In the audience was none other than J. G. Thirlwell. For those not familiar with Thirlwell, he’s man otherwise known as Foetus, aka Clint Ruin. His band had constant name changes such as Scraping Foetus Off A Wheel throughout the ’80s and ’90s until he settled on just Foetus. He had other side projects as well, like the underground ‘supergroup’ The Immaculate Consumptive featuring himself, Lydia Lunch, Marc Almond and Nick Cave. Only a few shows took place before that project dissolved. Other than bootlegs of the gigs themselves, no recordings exist. (I’ve briefly blogged about The Immaculate Consumptive on a previous post.)
Why I’m discussing Foetus other than his attendance at the panel is due to this. When I was 16 years old, someone gave me a promo poster of Wiseblood, another of Thirlwell’s side projects. (Saw Wiseblood live at The Ritz in NYC, 1987) Besides being a fan of Wiseblood, the artwork was done by none other than the artist himself, Robert Williams. So at age 16, I had no idea than 20 years later I would be witnessing a Q&A panel of an artist who had done cover work for a musician who would also be in the same room. Kinda cool when you think about it.
Of course, looking back on it, listening to bands like Wiseblood in my youth probably contributed to my misanthropy later on in my adult years.
After the curator Carlo McCormick was finished interviewing Williams, questions from the crowd was encouraged. I had wanted to ask about the artwork he had done for The Flesh Volcano:Slut, again featuring Marc Almond and Foetus. Yes, I had that on vinyl during my late teens. In the end I decided against asking questions regarding album artwork. Instead I was kicking myself for not being better prepared, otherwise I would’ve brought my CD reissue for Williams to sign.
As for Robert Williams himself, he was sharing various stories about himself. Some of his reflections discussed his art school years, working with underground comics such as Zap Comix, and creating Juxtapoz Art & Culture Magazine.
After the panel, I mostly walked around checking out various tables. Cats seemed to be a popular theme this year. Ben brought me comic as part of my birthday present.
The biggest surprise was walking by, and seeing an anthology for sale that I had contributed to maybe like two years ago.
The artist and writer, Joey Volume was one of the anthology contributors, and this was the first time I had met anyone in person related to this book. We traded copies of each other’s comics. Below is his own title, “Meat And Sleaze.”
I only attended MoCCA 2014 for one day. Hopefully I’ll have an exhibitor table next year with all new material.