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Posts Tagged ‘michele witchipoo’

Ten years ago, in addition to self-publishing Psycho Bunny, I did a sketchbook/pinup zine titled Babalon Babes. It was a mixture of occult, esoteric and symbolism mixed in with erotica. At least I was able to give Lon Milo DuQuette a copy of issue four back in 2011.

Issue One was printed in late 2003. Very Thelemic overtones. In fact, the title itself came from Crowley’s interpretation of Babalon. Not so much into the 93 current these days, but that might change.

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Babalon Babes Issue 1, 2003. Zine/sketchbook by Michele Witchipoo on WitchesBrewPress. 

Issue two was released in 2005, which debuted at the Big Apple Comic Con. It continued on the 93 subject, but with more mixture from other spiritual paths. Chaos magick started to creep in. The cover was my first rendition of The Star tarot card.

As much as I liked the cover, not too thrilled about the content inside. Might’ve mentioned the cut-up method in this issue. Don’t think this will be in print again.

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Babalon Babes issue 2, 2005. Zine/sketchbook by Michele Witchipoo on WitchesBrewPress. Debuted at Big Apple Con, Spring 2005. 

Issue three was released against all odd. The year 2007 was a very rough year due to personal circumstances and adversaries. Despite everything, I managed to make it to MoCCA Art Fest 2007. Even managed to quickly put together The Psycho Bunny Scrapbook.

Issue three had much more content. Definitely more of the Chaos current by this point, which I truly believed might’ve saved my ass during that year. Again, other spiritual paths crept in. Such as my sketch of Freya in her chariot driven by her two cats. Looking back the tone was a bit all over the place. Reflecting on issues two and three now has a sad element. It’s best having these two being out of print.

Issue four had a nice cover though.

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Issue 4, released summer 2007. Zine/sketchbook by Michele Witchipoo on WitchesBrewPress. Debuted at MoCCA Art Fest 2007. 

Issue 4 was the last of the Babalon Babe series. It was printed in 2009, debuted at some NYC comic con where for a brief time, Big Apple Con and Wizard World merged together, aka Wizard World Big Apple Comic Con. I did an hour at the CAG table with this in hand. The last issue had much better art, and more of a focus. It had an official theme of astrology. The hardcore sex aspect was toned down, but it was still erotic. Each of the zodiac signs had it’s own pin-up. There’s still copies available of this issue.

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Issue 4 of Babalon Babes, fall 2009. The final issue in the series. It’s theme was Astrology. Zine/sketchbook by Michele Witchipoo on WitchesBrewPress.

After 2009, I stopped doing Babalon Babes completely. In 2010 I went back to college. My focus went towards school, so something had to give. I was working on a webcomic, as well as my own Psycho Bunny character. Psycho Bunny was more accessible, so I continued with that. In 2012 I had a Psycho Bunny story in the monthly comic book anthology IF-X printed by Hamtramck Idea Men. I blogged about other IF-X issues in previous blog posts: IF-X Vol. 2 issue 5, IF-X Vol. 2 issue 9, and a news item back in 2010. (The news article has since disappeared. Should’ve done a screenshot)

The last sketchbook I self-published had nothing to do with Babalon Babes, but a slight offshoot. Pin-Ups was quickly put together in 2015, and debuted at Big Apple Con. The miracle of Adobe InDesign.

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Pin-Ups. A very small sketchbook. Released March 2015. Zine/Sketchbook by Michele Witchipoo on WitchesBrewPress. 

If you want a copy of Babalon Babes issue four or Pin-ups, both titles are available for purchase. It’s four dollars each issue ($3.00 plus $1.00 for S&H). You can send payment through PayPal: Psychobunnycomix@aol.com. Please specify which issue you want. Also available for commissions, email for details, etc.

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Inside the Brooklyn Musuem for the Bowie Is exhibit. Photo taken by Natasha Michalina, July 2018.

On Sunday, July 15th 2018, the Bowie Is exhibit wrapped up it’s five year tour at the Brooklyn Museum. Since the V&A traveling exhibit began in 2013, it has visited four continents, twelve museums, and attracted 1.8 million viewers. It was Bowie’s personal request that the touring exhibit end in New York City, where he spent the last twenty years of his life.

I was lucky to have caught this exhibit during its last week at the Brooklyn Museum. Advanced tickets were completely sold out. The alternative was to wake up at the crack of dawn, just to get in line before the doors open. Right before 11 am, the line was starting to feel like general admission to a concert rather than an exhibit.

Luck was on my side last Wednesday. I was able to get in for the 12 afternoon showing.

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My ticket for the special Bowie Is exhibit inside the Brooklyn Museum. July 2018.

First of all, the exhibit itself is far from any form of hero worship. It showed almost every era of Bowie’s career. While the initial attraction was seeing his stage outfits up close, it was the breakdown of his creative process that stood out. Handwritten lyrics, rough sketches of stage design, storyboards, scripts, all documents showing behind the scenes.

One example was the “cut-up technique“, originally created by Tristan Tzara, and brought into the public consciousness by Brion Gysin. Bowie, being a William S. Burroughs fan, used the cut-up method on and off in various stages of his recording career. In 1995, Bowie took this a step further when creating lyrics for his Outsider album. He used a custom program called the Verbasizer on his Mac computer, shown during the Bowie Is exhibit.

That’s only one clue what the exhibit had to offer. Entering the exhibit, it was a bit overwhelming at first. There’s a helluva lot to take in. In all, the entire exhibit took three hours to complete.

Apparently Bowie was a huge literature fan. He took a trunk of his favorite books on tour with him, since he was an avid reader. Bowie was huge into German Expressionism at one point, which showed up in his own paintings, also on display. Bowie was more of a polymath than the public realized. At one point Bowie tried creating his own tarot deck. It was for his own private use, inserted into film slide frames. The personal project was never completed, only going as far as most of the major arcana. Unless if that was what Bowie had intended.

 Bowie was also an actor, art collector, collaborator, world traveler, well, perhaps just an overall innovator. But we all knew that last part.

After spending three hours in the Bowie Is exhibit, I was literally too exhausted to check out the rest of the Brooklyn Museum. A few days later, I drew something from Bowie’s Thin White Duke era. (A few years back, I had already did something from his Ziggy/Aladdin Sane era)

So which leads us to…yes, you guessed it. The Psycho Bunny sketch of the week. Psycho Bunny as The Thin White Duke.

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David Bowie during his Thin White Duke era, mid-70s.

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Psycho Bunny as David Bowie during his Thin White Duke era. Based on the comic written and drawn by Michele Witchipoo, on WitchesBrewPress. July 2018.

Here we go. The usual promotional hints:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress. Just put new widgets for both FB pages on this blog.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

One of my hobbies is documenting what goes riding the NYC subway lines: My WildlifeOnTheMTA Instagram is active once again.

Come back next week for a new Psycho Bunny sketch.

Additional Links: 

https://www.npr.org/sections/therecord/2018/03/17/594326984/what-you-could-take-away-from-david-bowie-is

https://www.rollingstone.com/music/music-features/david-bowies-secret-life-inside-the-stunning-david-bowie-is-exhibit-in-brooklyn-202335/

 

 

Special thanks to Natasha Michalina, who let me use her photos. Cellphone pics weren’t allowed, but she was brave enough to sneak a few. 

 

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This week looks pretty busy. My weekly Psycho Bunny sketch might be delayed until the latest, Tuesday evening

In the meantime, check out my rendition of Cap n’ Crunch on Sketch Lottery. Alas, because my scanner isn’t doing too well, the colors aren’t coming out so crisp. The sketch was done in colored pencil. Not my usual brand either. Prang colored pencils don’t blend in as well as Prismacolors. The scan has the colors come out a lot lighter.

Regardless – I always knew that Cap n’ Crunch was always a player!

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Don’t forget to check out the other artists as well on Sketch Lottery.

Psst…Never eat sugary crap like Cap n’ Crunch. God awful cereal.

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In the past few years, mermaids have become more popular. For example, every year in Coney Island, Brooklyn, there’s The Mermaid Parade. Mermaids are usually depicted as romantic, feminine creatures. Many different cultures have their own mermaid versions. After doing some quick research the other day, I discovered that in British folklore, mermaids usually foretold death.

Authors such as Lewis Spence, and W.B. Yeats wrote about mermaids. You can check out other folklore here.

Once I read about these mermaids bringing bad omens, such as storms, dangerous distractions, shipwrecks, and such, that’s when I decided to take the beautiful image of a mermaid into another direction.

Have you heard that sleep is your enemy? In this case, being half asleep made me forget to scan my devil mermaid sketch before using watercolor.

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Sketch of a devil mermaid in pen, before using glitter watercolor. Artist: Michele Witchipoo, June 2018.

The scan fails to show the effect of using glitter watercolor. Thinking about creating a custom frame and selling the original. Here’s the finished result.

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Not a very good scan of this illustration. Devil Mermaid. Illustration, pen and glitter watercolor. Artist: Michele Witchipoo. June 2018.

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miceflyer2016

Continued from MICE 2016 Part I and MICE 2016 Part II.

In all, being at MICE Expo 2016 was good. It was also a relief that not only did I make my money back for the table and bus fare, there was a bit of a profit. So it’s definitely worth break out of one’s comfort zone, and to do comic cons outside of your hometown. Even if you’re barely awake in the a.m.

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Comicbook/Zine artist and writer Michele Witchipoo at MICE Expo 2016. Photo taken early in the morning, Oct. 2016.

Some more photos from MICE Expo 2016:

 

 

Being in Cambridge was pretty nice as well.

 

Being at MICE, I had the rare occasion of being near Salem, MA for Halloween. Managed to squeeze in a few hours, jumping on the train. Wasn’t far of a train ride from Cambridge and Boston.

 

It’s very easy to walk around Salem once you navigate around the tourists. Surprisingly I got a very accurate tarot reading in one of those occult shops. The psychic was a kind gentleman. His advice was spot-on as 2017 later unfolded.

There was some annoyance when some fundamentalist Christians started preaching on a street corner. Shouting about the evils on Halloween. Right across the street from one of the witch stores. Nobody really paid them any mind.

Here’s some photos from Salem, Halloween day, Oct 31st 2016:

 

Soon it was time to head back to NYC. Left Salem right before the rush of the evening crowds started coming in. BTW, Beer Works in Salem is an awesome brewery.

I’ll end the MICE 2016 series with some comics and zines picked up during the weekend. There was tons of talented artists, writers, zine makers and comic creators. Unfortunately a few months after MICE, there was an abrupt apartment move (no thanks to a former corrupt, greedy landlord, but that’s another story.) Most of the merch brought at MICE was thrown into a box, which I still have to locate. Luckily I was able to retrieve these:

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Dead-End Rob issue 2 by Luke Howard. Brought at MICE Expo 2016. deadendrob.com

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Alter Boy By Rogan of LB Lee. Brought at MICE Expo 2016. etsy.com/shop/MadComics or email: loonybrain@healthymultiplicity.com

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Paper Pencil Life issue 2. Diary comics by Summer Pierre. Brought at MICE Expo 2016. http://www.summerpierre.com

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Me & Doctor Dee.: A Jape. Script and art by E.J. Barnes on Drowned Town Press. Seen at MICE Expo 2016 as well as other comic cons. http://www.drownedtownpress.com

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Tree Rats! or, The Crepuscular Hobbyhorse. A Farrago by E.J. Barnes. E.J. Available from Drowned Town Press. Seen at MICE Expo 2016 as well as other comic cons. http://www.drownedtownpress.com

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A Beautiful Young Nymph Going To Bed by Jonathan Swift. Illustrated by E.J. Barnes. Available on Drowned Town Press. Seen at MICE Expo 2016 as well as other comic cons. http://www.drownedtownpress.com

That concludes the belated MICE 2016 blog entries.

Dead-End Rob by Luke Howard: deadendrob.com

Alter Boy By Rogan of LB Lee: etsy.com/shop/MadComics

Paper Pencil Life issue 2. Diary comics by Summer Pierre. www.summerpierre.com

Me & Doctor Dee.: A Jape/Tree Rats! or, The Crepuscular Hobbyhorse. A Farrago/A Beautiful Young Nymph Going To Bed by Jonathan Swift, Illustrated by E.J. Barnes all available on DrownedTownPress: http://www.drownedtownpress.com/

Then there’s me, Michele Witchipoo: WitchesBrewPress.com

Facebook: Psycho Bunny and Michele Witchipoo – WitchesBrewPress

MICE Expo 2018 Fundraiser: http://www.micexpo.org/2018/fat-cats-for-mice-fundraiser/

MICE 2018

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Taking a break looking back on MICE 2016 I & MICE 2016 II. This summer from June 1st to August 31st, Sketch Lottery is doing a free for all. This means anyone can submit from the character list. Usually you have to wait until a character is chosen weekly. Since this give me time to sketch any characters previously missed, I chose Hagar The Horrible.

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Michele Witchipoo’s rendition of Hagar The Horrible with some Norse/Odin symbolism thrown in. Originally done for Sketch Lottery, June 2018. 

Hagar was put in Odin‘s place, while his buddy Lucky Eddie was put into Loki‘s position.

Don’t forget to check out all the other sketches by various artists on Sketch Lottery.

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miceflyer2016

Continuing where I left off from MICE 2016 part one.

After setting up my table early in the a.m., I caught a bit of a local comic artist giving a small pep talk/lecture to the newer exhibitors.

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MICE Expo veteran giving a quick lecture to the newer exhibitors. Cambridge, MA. Oct. 2016. 

As the comic con unfolded, you couldn’t help but notice many attendees in costume or cosplay. It just happened that MICE 2016 was scheduled on the weekend before Halloween. Here’s a few photos.

Surprisingly I did good at MICE. To my left was an artist who I met for the first time at NYCC 2016. Had brought his comic at NYCC. Had no idea only two weeks later I would be sitting next to him at MICE. It’s a small world after all. He was a former school teacher who decided to follow his dream.

Also had a chance to meet someone I’ve been conversing online since the early 2000s. Michelle Kane came down to the comic con. After our conversation, she invited me for some karaoke in her area of Quincy, MA. Usually I hate karaoke, but this time the invite was accepted. Later on after MICE closed for the night, me and E.J. Barnes, who was gracious enough to let me stay at her place traveled over.

We arrived at a huge restaurant called Cathay Pacific. In my little black heart I have a soft spot for old school Chinese eateries with vintage Polynesian decor. It was love at first sight. Didn’t care how good or bad the food was. After Michelle introduced us to her buddy Stephen Jay “The Handyman” Spector, karaoke began. Have to say, all three, E.J., Michelle and Stephen all had good voices. As for me, I sat my out of tune ass down.

To be continued…

MICE 2018 fundraiser: http://fundraiser.micexpo.org/

 

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