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Posts Tagged ‘witchesbrewpress’

Working on the next issue of Psycho Bunny as of this post. Hopefully it’ll be released sometime in late October.

If you always wanted to send hate mail, now is the time to do it! Looking for letters to be published in Psycho Bunny 3.5. Since the very first issue, it’s been a tradition to have a ‘hate mail’ column on the last page. Just don’t send any directly at me, okay?

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Send all ‘hate mail’ to: Ihatepsychobunny@witchesbrewpress.net.

Thank you in advance.

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It happened yet again. Last Friday I received a surprise text on my cell. Apparently I won tickets to see Wasabassco’s House of Deveraux: Tribute to Led Zeppelin. This was the second time this year I won tickets to an event (double bill Judas Priest and Deep Purple), and third time winning tickets in general (to see Kite back in 2016). What luck! A few hours later I hopped on the subway to (Le) Poisson Rouge.

2018 has become a Led Zeppelin themed year. A few months ago I saw Robert Plant perform at Forest Hills Stadium. Since then I’ve been on a Led Zeppelin kick. Even if I still skip ‘Stairway To Heaven’ when using Spotify. House of Deveraux blended the art of strip tease dancing to songs like Kashmir effortlessly. All the burlesque performers did their own take of each Led Zep tune to a packed audience. Here’s a review of the show on Brooklyn Vegan.

Which leads to the weekly Psycho Bunny sketch of the week for Sept. 19th, 2018.

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Psycho Bunny takes in some burlesque! Based on the comic book written and drawn by Michele Witchipoo, on WitchesBrewPress. September 2018. 

Social Media time!

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

Come back next week for a new Psycho Bunny sketch.

 

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Last month we went to check out the Stanley Kubrick photography exhibit over at the Museum of The City of New York. Stanley Kubrick has always been one of my favorite film directors. Back in high school, I made it a mission to check out every film Kubrick directed. This was way before the days of Netflix. If it wasn’t available on VHS, then I would hit up all the revival movie theaters. You millennials have it so easy nowadays!

Luckily films are now more easily obtainable. If it can’t be found on Blu Ray, DVD or through a streaming service, there always places in NYC. For example, Videology Bar and Cinema over in Williamsburg, Brooklyn.

Anyway, I sought out most of Kubrick’s films. 2001: A Space Odyssey, Lolita, the prophetic Dr. Strangelove, The Shining, Full Metal Jacket, and of course, A Clockwork Orange. Even sat through that yawn fest Barry Lyndon. Although I never managed to catch the earlier films like The Killing or Paths of Glory. Did watch Eyes Wide Shut much later on – despite my disdain for Tom Cruise.

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Entrance for the Stanley Kubrick photography exhibit over at the Museum of the City of New York. July 2019. Photo by Michele Witchipoo.

Before Kubrick became an influential film director, he got his start as a photographer for Look Magazine. At the exhibit, open until Oct. 28th, 2018, you can see the gritty yet candid detail that would later show up in Kubrick’s films. Kubrick was just 17 years old when he sold his first photo to Look back in 1945. These photos also show how NYC was from 1946 to 1951.

 

New York City wasn’t just Kubrick’s subject. At the exhibit, a Kubrick photograph of a tattooed and pierced carny was not accepted by the editors of Look. Apparently the photo was thought as ‘too extreme.’ It was decades before the ‘Modern Primitive‘ movement, which led to the current acceptance of body modification.

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The photo below particularly stood out. It’s of professional boxer Rocky Graziano. Graziano was trying to repair his reputation when Look did a feature on him. Boxing later helped Kubrick make the transition from photography to filmmaking.

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After walking through the Kubrick exhibit we checked out the rest of the museum. Right next to the Kubrick showing was the last day of Rebel Women, which inspired this sketch done back in August.

 

At the other end of the floor was a retrospective of the feminist era. It showed the beginning of the women’s rights movement, ending with one of Hilary Clinton’s infamous pantsuits.

 

Which leads to the Psycho Bunny sketch of the week. This sketch isn’t just a sketch. This weeks shows the cover of the latest Psycho Bunny issue. If all goes well, hopefully Psycho Bunny issue 3.5 will be released at the end of October.

PsychoBunnyClockworkOrangeSept2018WEB

This may or may not be the final version of the cover. It really depends on finding the original typeface of the lettering used for the A Clockwork Orange film poster. For now you have an ideal about what the front cover looks like. Other details forthcoming. If the latest issue is completed in time, it’ll mostly likely debut at Incredicon, taking place in Upstate NY, Oct. 28th. Incredicon is a very small con, but it’s been a while since I’ve tabled at a comic book convention.

My life has been busy as of life. You however, still have time to check out these social media links:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

Still haven’t gotten around to posting those commissions on this blog. Maybe this week I’ll get around to doing so. Until then, stay tuned.

 

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Since Fall 2017, I’ve been attending more concerts than usual. This personal trend started when my friend sold me her ticket to the Front 242 gig over at Irving Plaza. This was followed by Gary Numan, then Television. Over the past few months I’ve seen bands going across the board from local, national and even international. 2018 started with a show over at St. Vitus. The bill was Royal Thunder, Backwoods Payback and Heavy Temple. This was followed by Mac Sabbath, Clan of Xymox, Anvil, Melvins, Robert Plant, Culture Club/The B-52s, Slayer/Lamb of God/Anthrax/Testament/Napalm Death which was the next day after Culture Club, and now capping it off with CAKE.

So far in the summer of 2018, I’ve been to Forest Hills Stadium three times. It’s not a bad venue. Even if your seats are all the way back next to Saint Philomena, you can still have a decent view. Since I live in Queens, it’s convenient. The bad part is there’s an enforced curfew of 10 pm for all shows. That’s because the stadium is smack in the middle of a residential area. Boo.

Anyway, I’ve always wanted to see CAKE live. They do one of my favorite songs from the ’90s, ‘The Distance’, but the band is so much more than that hit single. The concert itself was a double bill with Ben Folds Five, with Tall Heights opening. Somehow during the Ben Folds Five set, someone from that band didn’t show up. So a member of Tall Heights had to fill in. Ben Folds Five isn’t usually my “cup of tea” as they say, but live they were all right.

So CAKE comes on despite the grueling humidity. Hey. Kudos to any band that can perform under those nasty weather conditions. CAKE performed their latest single “Sinking Ship.” It wasn’t long until the band had everyone singing along to “Sick of You.” John McCrea also raised some good points. Like how everyone is so into their smartphones nowadays, we forget to live in the moment. He requested that people put down the cells just to enjoy the concert, but many ignored his plea.

Somehow in the middle of the concert, they started rushing through their set. Apparently they were told by management they had to cut the perform short. There was barely enough time for the tree giveaway shtick. (Too bad; I wanted that tree!) Yet the crowd adored the band. By the time ‘The Distance’ came on, people were dancing in their seats.

The best part of the concert in my opinion? Catching glimpses of lightening during the gig. There was thunder, but no rain. Once the thunder started to crack, some people left their seats in hast. Not me. I thought seeing thunder during a show was awesome. Slightly dangerous, maybe, but still awesome.

After the last song, the entire crowd demanded an encore. The audience loved CAKE. After two to five minutes, the band finally came back, doing a clever cover of Black Sabbath’s “Warpigs.” Then things got serious when John McCrea made another plea to the audience. This time, for Americans to register to vote. I’m not kissing his ass, but he’s right. Yes, the election voting system is flawed – but don’t give up on the process. Sometimes voting is the only voice someone could have.

Which leads up to…yup, you got it. The Psycho Bunny sketch of the week. Influenced by CAKE and their tradition of giving away a tree during each concert.

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CAKE and the free tree giveaway. Based on the comic written and drawn by Michele Witchipoo on WitchesBrewPress. August 2018.

Social media time:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

Come back next week for a new Psycho Bunny sketch. Also keep an eye out, I might be posting more commissions this week. If you have an extra cash floating around, buy one of my comics, or get a commission. You won’t regret it.

UPDATE: Added additional photographs taken from the cheap seats at Forest Hills Stadium. Including Ben Folds Five. 

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When I caught the Culture Club and B-52s concert at Forest Hills Stadium, there was another concert around the corner. That same weekend I went from ’80s Pop/New Wave to Thrash Metal. The next day was Slayer, performing at Jones Beach, Long Island, NY.

I know. Go figure.

The line-up for Jones Beach was Napalm Death, Testament, Anthrax, Lamb of God and of course, Slayer. It’s a rare thing when a band goes out while still on top, and that’s exactly what Slayer did. Although there’s a part of me that expects a ‘reunion’ tour in roughly five years.

All the bands were great. Lamb of God, the band right under Slayer on the bill, had their own followers. When the intro music came on, this Lamb of God fan stood up at attention, dead serious. He was ready for battle or something.

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Would’ve brought the Slayer bootie shorts if I was thinner. Merch at the Slayer Farewell Tour. July 2018, Jones Beach theater, Long Island, NY. July 2018. Photo taken by Michele Witchipoo.

Then there was the Slayer greeting. It’s just one word: “SLAYER!” Observing the crowd, it’s usually said with male aggression. If one wished to expand the tribal greeting some more, you can go “FUCKIN’ SLAYER!!!” I witnessed men looking at each other, shouting the greeting “SLAYER” to each other. One guy in back of where I was sitting was shouting “SLAYER!!!” until he was beet red. Dude, calm down.

Slayer is also one of the few concerts you can attend wearing the shirt of the band performing. Most people look down upon this. I don’t, but others think it’s some kind of fashion faux pas. With Slayer, not only is this acceptable – it kinda makes you look slightly bad-ass.

This leads to the Psycho Bunny sketch of the week. Psycho Bunny does Slayer! However, Psycho Bunny isn’t normally a Metal head. His best and perhaps one of his only friends, is a die-hard. Loves Metal. Thrash, Groove Metal, classic Metal, you name it. He even likes classic Hardcore and Punk. But when Psycho Bunny suddenly gets into Slayer, Buddy Bear becomes suspicious.

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Psycho Bunny does Slayer. Buddy Bear thinks Psycho Bunny is a poseur. The Psycho Bunny sketch of the week for August 21, 2018. Based on the comic book written and drawn by Michele Witchipoo.

Social media time:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

One of my hobbies is documenting what goes riding the NYC subway lines: Wildlife On The MTA. Cause if you can’t laugh, you’ll cry. MTA passengers know what I’m talking about. Even better: My WildlifeOnTheMTA Instagram is active once again.

Come back next week for a new Psycho Bunny sketch. Better yet, order my shit. Otherwise there’s going to be some Payback.

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A few weeks back I attended the Culture Club and The B-52s concert over at Forest Hills stadium. It wasn’t my first seeing both of these acts live. It was more that both groups were such a part of my early teen years, and that it was right in my own backyard in Queens, NY.

When I was about 11 or 12, I brought the first B-52s album. I was the first kid on the block to have that record, and most likely the only one. It was early ’80’s in lower working class Queens. I was considered the school weirdo. Having this album only solidified my case. Not that I really cared.

When my friend used to come over, I introduced her to Rock Lobster. I made her wear old wigs dug out from my mother’s closet, which my mom wasn’t too happy about. I wasn’t happy because the wigs weren’t styled like in beehive hairdos. In my bedroom we pretended to be Kate and Cindy, wearing mom’s old forgotten wigs. We danced to most of the songs on side one, because vinyl still ruled in those days. That album cover is still pretty iconic to me.

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Eventually I grew out of The B-52s. By the time “Love Shack” hit the charts, I was more into Post Punk, Goth, Industrial and anything non mainstream.

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Concert attendee at the Culture Club/B-52s show at Forest Hills stadium. Sat. July 28th, 2018. Photo by Michele Witchipoo.

Fast forward to July 2019 in Forest Hills stadium. (Wasn’t the band’s first time. The B-52s played Forest Hills stadium back in 1983. Most of the crowd was dancing to such classics like ’52 Girls’, ‘Planet Claire’, and what surprised me was ‘Mesopotamia.’ Of course they played ‘Love Shack’ and ‘Roam.’ You can see their set list here.

Thus leads to the first of the two latest sketches of the week. Decided to throw in two instead of one, due to last week’s absence.

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Psycho Bunny’s friends as The B-52s. Based on the comic written and drawn by Michele Witchipoo on WitchesBrewPress. Aug. 2018.

After The B-52s came Culture Club. I’ve mentioned dressing like the two women from The B-52s. However, it was the arrival of Boy George that took it from the bedroom to public display. I began to copy the Boy’s look. While going to class, I wore the hat, the baggy clothes, etc. Even had his dance moves down. Once again, I was the first kid on the block to embrace Boy George and crew. Also one of the very few. Boy George wasn’t very popular in the junior high I attended. In fact, that’s when I experienced homophobia.

Dressing like Boy George gave people the impression that they could insult me. Everyday I heard nasty remarks from other schoolmates such as “You know he’s gay, right?” “Why do you like him? He’s a man dressed like a woman!” “Boy George is a fag!” “Fag lover!!!” “You look like a freak!” “Hahahaha….” It was usually followed by “Why don’t you be normal, and listen to Michael Jackson like the rest of us?” Which led to my distaste of anything remotely related to Michael Jackson. To this day, if I hear just a few notes from a Jackson song, it makes me nauseous. I just equate Michael Jackson to general hypocrisy. Jackson is dead, and I still can’t stand the guy. It’s not his fault. It was my junior high classmates. The association. His music and image still reminds me of everything fake in today’s pop culture.

Because of all this rude behavior, it influenced me to look beyond my immediate Queens surroundings. I applied for those magnet high schools just to get away from all those rotten close minded classmates. Eventually I got accepted into the High School of Art and Design. Thanks to Art & Design, it lead me straight into a path of downtown Manhattan subculture, discovering Greenwich Village, stumbling upon small import record shops, cool clothing stores, and of course, Punk and Goth. Thus my high school years fared a helluva lot better than junior high.

I’ll never forget when word came out that I was not heading towards that local war zone, Byrant High School. Some guy quipped “oh, so you’re not going to the same high school as everyone else? What’s the matter? You’re too good for us now?”

Uh actually, when I think about it…yeah.

Not going to Byrant was one of the best decisions I ever made in my life. From what I heard years later, my suspicions were all confirmed. Thanks, but no thanks. This should explain my misanthropy.

‘ “Why does everybody gets so excited when we go back into the past? It just amazes me. It’s just metaphorical.” ‘ – Boy George during the Culture Club concert at Forest Hills stadium, New York. Saturday July 28th, 2018. 

But high school is high school, and life is a lot more than that. It’s still nice to reflect, take in some nostalgia, acknowledge your influences. To be ruled by the past though, is a prison you don’t want to be trapped in. Boy George definitely didn’t want to relive his past. In fact, most of the songs on the Culture Club set list was more like a rock and soul revue than Culture Club’s greatest hits. The opening song was a cover of David Bowie’s “Let’s Dance.” Fret not, they still did some of their greatest hits.

‘ “We’re a living, breathing soap opera. The amount of collective drama on this stage would kill a beginner.” ‘ Boy George during the Culture Club set at Forest Hills Stadium, Saturday July 28th, 2018. 

I appreciated that Culture Club didn’t want to rest of their retro laurels. Boy George himself waxed philosophically that night on the Forest Hills stage. He came across as intelligent and witty. There were times you sensed that he’s acknowledged lessons learned from his past experiences. This was evident with their recent single “Let Somebody Love You.” You never would’ve guessed he assaulted a male escort back in 2009. Then there was the time when he rebuked my friend’s request for an autograph that was meant to be for his mother. His mother was in her final stages of MS.

 Oh that Boy George. He’s such a Gemini.

Despite his shitty transgressions, I will always be thankful for his influence upon my life. It was a positive influence. His public image taught me that it was okay to think outside the box, to be yourself. If it wasn’t for him, Siouxsie Sioux, Joan Jett, Salvador Dali, Andy Warhol, and David Bowie, my outlook might’ve been very different. Probably a lot more bleak.

While I did accomplish a lot, I’m still residing in Queens. For now anyway. As someone who once wanted to ‘escape’ Queens, it’s now become the complete opposite. No thanks to the overall gentrification of NYC. I’ve learned to appreciate all the different cultures within my borough. Manhattan just isn’t the same anymore. Let’s not even talk about what happened with Brooklyn. The Bronx and Staten Island is too far away from everything. So Queens is where I stay. For now.

If you’ve made it this far, thank you. Here’s part two of the Psycho Bunny sketch of the week. Psycho Bunny as classic Boy George.

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Psycho Bunny as Boy George from Culture Club. Based on the comic written and drawn by Michele Witchipoo on WitchesBrewPress. August 2018.

The very next day after the B52s and Culture Club gig, I went to see Slayer over at Jones Beach, Long Island, NY. Talk about one extreme to the other. That will be discussed in next week’s blog post.

…and now. Memorize these social media links:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items. Just in time for Pride.

One of my hobbies is documenting what goes riding the NYC subway lines: Wildlife On The MTA. Cause if you can’t laugh, you’ll cry. MTA passengers know what I’m talking about. Even better: My WildlifeOnTheMTA Instagram is active once again.

Come back next week for a new Psycho Bunny sketch. Remember to bring in good karma.

 

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Since I haven’t gotten around to the latest Psycho Bunny sketch of the week, instead let’s have a retrospective. Here’s all the past issues of Psycho Bunny, from issue one to the last release in 2011.

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This was the debut issue, released in 2004. My drawing and humor have improved ten fold since this first came out. Regardless, people had more or less a positive response. It sold out at Jim Hanley’s Universe (when it was located near Herald Square), and Forbidden Planet during 2004 and 2005. MySpace was popular during this time, so thanks to self online promotion, I managed to sell copies online. Unfortunately the printing place lost the files, so I’m unable to print anymore of issue one. Just as well. If you have issue one, hold on to it.

PsychoBunnyIssue2CoverWEB

Issue two was released in 2005, making it’s debut when I had a table at Big Apple Comic Con. The cover was influenced as I was walking through Queensboro Plaza on the way to my job. Literally saw a drunken man slouched on the sidewalk after pissing in his pants. The kitty street walker was added in for maximum effect. She was affectionately known as “Crack Kitty.” Charles Bukowski would’ve been proud.

In between issue two and three, I self-published two mini-issues. Both made their debut at MoCCA Art Fest 2006 and 2007.

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Spring 2008 saw the release of Psycho Bunny issue three, the double issue. Like the previous releases, this one also made it’s debut at MoCCA Art Fest 2008. The year 2008 was also when I became a NYC resident once again. Thankfully.

In 2010, I had a table in Artist Alley at New York Comic Con, otherwise known as NYCC.

The years 2009 through 2012 were very busy. One reason was a decision to go back to college. In addition I was doing the art for a web comic titled Shitty Mickey, which was published on The Brooklyn Rail website. Along the way there was a short Psycho Bunny story published in the comic book anthology IF-X #8. The April Fool’s edition was published in 2012 by Hamtramck Idea Men.

PsychoBunny325CoverWEB

After having some illustrations published along with various exhibits, it was time for another Psycho Bunny issue. The last one was released in 2011, debuting at MoCCA 2011. This one is still available for purchase. You can always order your copy online if I don’t have a table at a local comic convention.

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My table at MoCCA Art Fest 2011.

Next post I’ll get back on track, moving forward. Stay tuned for a new Psycho Bunny sketch of the week.

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